文学模糊的翻译及译者的地位

发布时间：2018-03-20 05:07

本文选题：模糊语言　切入点：文学翻译　出处：《安徽大学》2007年硕士论文　论文类型：学位论文

【摘要】： 1965年美国加利福尼亚大学控制论专家查德在《信息与控制》杂志上发表了论文《模糊集》，提出了著名的模糊理论，标志着科学思想方法的划时代变革。从此诞生了一系列的新兴学科：模糊数学、模糊逻辑学、模糊语言学、模糊修辞学等。语言中存在着模糊现象，模糊性是自然语言的本质特征之一。目前，以自然语言模糊性为研究对象的模糊理论开始用于翻译，指导翻译理论研究和实践，模糊语言学与翻译学有着非常密切的关系，是一个颇具研究价值的课题。文学是语言的艺术，文学的艺术符号即文学语言。文学语言与科学语言的区别在于它的造型作用，在于它的多义性。作为创造性生产的文学活动，是以语言的模糊性为前提的。本文认为，正是因为语言的这种特性，人们才能通过想象、联想、体会、顿悟，创造出具有生命意味的文学形象。可以说，没有文学语言的模糊性，就没有文学形象的生命。从模糊语言与文学的关系上看，翻译中要把握语言的模糊性，这样才能做到真正的忠实。本文在对模糊语言学的发展、研究意义进行简要介绍后，主要对文学语言的模糊性及其翻译方法和译者在文学语言翻译中的地位进行了探讨分析：一、着重分析文学模糊语言翻译的几个可行的方法。分析文学作品中，模糊语言的表现形式及其分类，翻译文学作品模糊语言的相应对策(以虚对实，以模糊语言翻译原文的准确语言：以虚对虚，，以模糊语言翻译原文中的模糊语言：以实对虚，以精确语言翻译原文中的模糊语言等角度探讨模糊语言翻译的方法)以及文学作品模糊语言的可译性与不可译性(可译与不可译都属“度”的问题，从接受美学的角度探讨模糊语言的翻译)。二、以接受美学为理论基础分析译者在翻译中的地位，文学模糊的审美价值。笔者认为译者在翻译模糊语言时，应以原文文本为中心，使译文的审美价值无限的趋近于原文模糊的审美价值。译者，原文的读者，同时也是译文文本的作者，在处理文学的模糊性时，应当以原文文本为中心，尽力把原文的模糊性带入译作。作为前者，他可以在原作为读者留下的想象空间中自由驰骋。但作为后者，他同样也应为其译作的读者留下想象的空间。译者应当明确自己的角色和作用，使译文文本同原文一样呈开放性的结构，让译文读者介入其中，去解读，去阐释，从而获得共鸣。模糊语言与翻译有着密切的联系，也是一个颇有研究价值的课题。最后的结论部分，对全文的主要概念和内容做了总结，指出了论文的局限性，希望论文能为后来的研究者提供一个新的角度。
[Abstract]:In 1965, Chad, a cybernetics expert at the University of California, USA, published his paper "Fuzzy set" in the Journal of Information and Control, and put forward a famous fuzzy theory. Marked the epoch-making change of scientific thinking methods. From then on, a series of new subjects were born: fuzzy mathematics, fuzzy logic, fuzzy linguistics, fuzzy rhetoric, etc. Fuzziness is one of the essential features of natural language. At present, fuzzy theory, which focuses on fuzziness of natural language, has been used in translation to guide the research and practice of translation theory. Fuzzy linguistics has a very close relationship with translation studies. It is a subject of considerable research value. Literature is the art of language, and the artistic symbol of literature is literary language. The difference between literary language and scientific language lies in its styling function and its polysemy. Based on the fuzziness of language, this paper believes that it is precisely because of this characteristic of language that people can create a literary image with the meaning of life through imagination, association, understanding, and epiphany. Without the fuzziness of literary language, there is no life of literary image. From the point of view of the relation between fuzzy language and literature, the fuzziness of language should be grasped in translation so as to be true faithful. After a brief introduction to the development and significance of fuzzy linguistics, this paper mainly discusses the fuzziness of literary language, its translation methods and the translator's position in the translation of literary language. Several feasible methods of literary fuzzy language translation are emphatically analyzed. The forms and classification of fuzzy language in literary works are analyzed, and the corresponding countermeasures for translating fuzzy language in literary works are analyzed. The exact language of translating the original text with fuzzy language: virtual versus virtual, fuzzy language in the original translation with fuzzy language: real versus virtual, This paper discusses the methods of fuzzy language translation from the angle of fuzzy language in the original text of accurate language translation) and the translatability and untranslatability of fuzzy language in literary works (both translatability and untranslatability belong to "degree"). This paper discusses the translation of vague language from the perspective of reception aesthetics. Secondly, based on the theory of reception aesthetics, the author analyzes the translator's position in translation and the aesthetic value of literary vagueness. The author holds that the translator should take the original text as the center when translating fuzzy language. The aesthetic value of the target text is infinitely close to the fuzzy aesthetic value of the original text. The translator, the reader of the original text, and the author of the text of the target text, should take the original text as the center in dealing with the fuzziness of the literature. Try to bring the vagueness of the original into the translation. As the former, he can ride freely in the imaginary space left by the reader, but as the latter, He should also leave imagination space for the readers of his translation. The translator should clarify his role and role, make the text as open as the original text, and let the target readers get involved in it to interpret and interpret it. And thus resonate. Fuzzy language is closely related to translation, and it is also a valuable research topic. In the last part, the author summarizes the main concepts and contents of the thesis, and points out the limitations of the thesis. It is hoped that the paper will provide a new perspective for the later researchers.
【学位授予单位】：安徽大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：I046;H059

【相似文献】