文学再现的“神学观念”与解构

发布时间：2018-03-22 06:26

本文选题：文学模仿　切入点：文学表现　出处：《广西社会科学》2015年02期 　论文类型：期刊论文

【摘要】：文学作为作家思想观念和审美意识的表达,其创作过程表现出特有的意识形态倾向。"文学模仿说"和"文学表现论"预设文学作为一种神性职业的存在,体现出潜在的神秘主义色彩,其意识形态表现为一种神学观念。20世纪后,随着对文学的本质、功能等问题认识的加深,西方批评理论对文学的神学观念进行了批判。"文学生产论"将文学艺术活动看作一种生产实践形态,从文学与革命政治、意识形态等视角阐释文学构成,要求将文学作为生产的本性还给文学,实现文学对意识形态的生产。解构主义批评对支配着传统文化价值理念的逻各斯中心主义予以反叛。它们都将批判的锋芒指向基础主义和本质主义的价值观念,动摇了文学意识形态的根基,体现出试图超越根深蒂固的传统观念的努力。
[Abstract]:Literature, as the expression of writer's ideology and aesthetic consciousness, shows a special ideological tendency in its creative process. "Literary Imitation Theory" and "Literary performance Theory" presuppose Literature as a divine profession. Reflecting the potential mysticism color, its ideology is manifested as a theological concept. After the 20th century, with the deepening of the understanding of the nature and function of literature, The western critical theory criticizes the theological concept of literature. "the Theory of Literary production" regards literary and artistic activities as a form of production practice, and interprets the composition of literature from the perspectives of literature, revolutionary politics, ideology and so on. Demanding that literature be returned to literature as the nature of production, Deconstruction criticism revolts against logos centrism, which dominates traditional cultural values. They both point the critical vanguard to the values of foundationalism and essentialism. It shakes the foundation of literary ideology and reflects the attempt to transcend deep-rooted traditional ideas.
【作者单位】：盐城工学院人文社会科学学院;
【分类号】：I0

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