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黑格尔艺术理论的当代价值

发布时间:2018-03-27 13:04

  本文选题:黑格尔 切入点:绝对理念 出处:《河北大学》2007年硕士论文


【摘要】: 著名的客观唯心主义哲学家、美学家、辩证法者,乔治·威廉·弗里德里希·黑格尔,出生于德国斯图加特市。黑格尔大学毕业后在瑞士和法兰克福担任多年家庭教师,1801年任耶拿大学讲师,此期间曾与别人合办过《哲学评论》杂志。曾任报馆编辑、纽伦堡中学校长、海德堡大学教授,1818年被聘请到柏林大学任哲学教授和校长。黑格尔的著作很多,主要有《精神现象学》、《逻辑学》、《哲学全书》、《法哲学原理》。死后出版的有《历史哲学》、《哲学史讲演录》、《宗教哲学》、《美学》。他的美学理论主要见于《美学》,这是他在海德堡大学和伯林大学期间所作的“美学讲演录”,是由他的学生整理出版的。 黑格尔的艺术理论源自他的美学著作。黑格尔的美学是以艺术为研究对象的,美学是对艺术的理性的研究,所以我们在研究黑格尔美学的过程中不断领略到其艺术理论的博大精神。在黑格尔的理论中,他将美学划为哲学体系的有机组成部分,但又具有相对独立性,是属于广义范围的一门艺术科学。缺少了美学,黑格尔整个哲学体系就崩塌了一角,就缺乏了体系的完整性和严密性了;同时,它又不同于形形色色的艺术理论,而是站在哲学高度对艺术理论概括,所以黑格尔美学又称为艺术哲学。 黑格尔的艺术理论是一个庞大的体系。它不仅涉及到黑格尔对艺术本质、艺术目的的探讨,还有对艺术家的探讨,以及他的艺术史观等。而且,黑格尔还采用辩证的观点和历史的逻辑的观点对艺术的类型和门类作了详细的划分和深入地研究。当然,对黑格尔理论的研究已经汗牛充栋。本文拈出几个有当代价值的问题来写。 第一,艺术终结问题,艺术转化为哲学、艺术评论。和丹托艺术终结的观点结合起来进行论述,参考艺术现实、大众审美文化的现实来写。 第二,艺术的目的,游戏说、更高的目的说等的评论,把它和当代艺术理论结合起来,和《艺术学》的理论结合起来,和当代形形色色的艺术理论结合起来。 第三,黑格尔对摹仿说的批判。摹仿说在历史上是怎么回事,黑格尔为什么批判摹仿说,他是怎么批判的,黑格尔的批判有何得失。
[Abstract]:The famous objective idealist philosopher, aesthetician, dialectics, George William Friedrich Hegel, Born in Stuttgart, Germany. After graduating from the University of Hegel, he served as a tutor in Switzerland and Frankfurt for many years, and was a lecturer at the University of Jena in 1801, where he co-organized philosophy Review magazine and was a newspaper editor. President of Nuremberg High School, Professor of Heidelberg University, was hired as Professor of philosophy and Rector of Berlin University in 1818. Hegel wrote a lot of books. There are mainly "spiritual phenomenology", "logic", "philosophy of philosophy", "principles of philosophy of law". Published after death are "philosophy of history", "lecture on the history of philosophy", "religious philosophy", "aesthetics". His aesthetic theory is mainly found in "aesthetics" The lectures on Aesthetics made by Heidelberg and Berlin were compiled and published by his students. Hegel's theory of art originates from his aesthetic works. Hegel's aesthetics focuses on art and aesthetics is the rational study of art. Therefore, in the course of studying Hegel's aesthetics, we constantly understand the broad spirit of Hegel's artistic theory. In Hegel's theory, he classifies aesthetics as an organic part of the philosophical system, but it is relatively independent. It is an art science in a broad sense. Without aesthetics, the whole philosophical system of Hegel collapses into a corner and lacks the integrity and rigour of the system. At the same time, it is different from various artistic theories. Hegel's aesthetics is also called art philosophy. Hegel's theory of art is a huge system. It not only involves Hegel's discussion of the nature of art, the purpose of art, but also the exploration of artists and his view of art history, etc. Hegel also uses dialectical and historical logic to divide and study in detail the types and categories of art. The study of Hegel's theory has been full of money. This paper comes up with several questions of contemporary value. First, the question of the end of art, art transformed into philosophy, art review, and Danto's point of view of the end of art combined to discuss, referring to the reality of art, the reality of popular aesthetic culture to write. Second, the purpose of art, game theory, higher purpose theory and so on, combine it with the theory of contemporary art, with the theory of art, with contemporary art theory of all kinds. Third, Hegel's criticism of imitation theory, what is the history of imitation theory, why Hegel criticizes imitation theory, how he criticizes it, and what is the gain and loss of Hegel's criticism.
【学位授予单位】:河北大学
【学位级别】:硕士
【学位授予年份】:2007
【分类号】:J01

【参考文献】

相关期刊论文 前3条

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