中国当代艺术批评中的“私语批评”现象研究

发布时间：2018-03-30 22:25

本文选题：中国当代艺术　切入点：批评　出处：《南京艺术学院》2014年硕士论文

【摘要】：本文着重考察中国当代艺术批评中的“私语批评”现象，这一提法是针对公共领域的艺术批评，即传统艺术批评的有效性缺失而做出的。故此，文章对中国当代艺术批评的历史进行了简单的回顾并试图指出其存在的主要问题，并对中国当代艺术及其批评的现状进行了简要梳理，在此基础上对“私语批评”现象的时代背景和成因进行描述。在笔者的论述中，私语批评作为一种“泛”艺术批评的形式，实际上是一种半私密、半公开的言说方式，其对于中国当代艺术的有效性体现在其规避公共领域批评现状的限制，，进而在某种程度上为客观描述提供了可能。本文着重探讨了这一“批评”方式的内涵、发生模式及其效果，强调其对于传统意义上当代艺术批评的补充作用。
[Abstract]:This paper focuses on the phenomenon of "whispering criticism" in contemporary Chinese art criticism, which is based on the lack of effectiveness of traditional art criticism in the public domain. This paper briefly reviews the history of Chinese contemporary art criticism and tries to point out its main problems, and briefly combs the present situation of Chinese contemporary art and its criticism. On this basis, the background and causes of the phenomenon of "whispering criticism" are described. In the author's exposition, as a form of "universal" art criticism, it is in fact a semi-private and semi-public way of speaking. Its effectiveness for Chinese contemporary art is reflected in its circumventing the limitations of the current situation of criticism in the public domain, and thus provides the possibility for objective description to some extent. This paper focuses on the connotation of this "critical" approach. The mode of occurrence and its effect emphasize its complementary role to the traditional contemporary art criticism.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J120.9

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