海德格尔的艺术本质观研究
发布时间:2018-04-09 09:06
本文选题:海德格尔 切入点:存在论 出处:《山东大学》2007年硕士论文
【摘要】: 近些年来,随着海德格尔著作的翻印和思想的评价与研究逐步深入,海德格尔艺术观研究也成为国内海德格尔研究中的一个重要方面。总的来说,目前国内对海德格尔美学和艺术观的研究主要集中在以下几个方面:一是海德格尔美学与传统美学的关系;二是海德格尔基本的美学思想和艺术观;三是海德格尔的存在论诗学;四是海德格尔与审美现代性;五是海德格尔美学思想的分期问题。通过总结,我们可以发现,目前对海德格尔美学和艺术观的研究,虽然取得了一定的进展,也出现了一些很有见地的力作,,但还存在论述单一、简单分类与“贴标签”等一些问题。对海德格尔美学和艺术观的研究在大多数论著中并没有真正深入其中,同时对一些问题的内在关联性的揭示也有待进一步研究。 本文在对海德格尔哲学进行简单论述的基础上,研究海德格尔艺术观所包含的各个方面的内在联系,讨论了海德格尔研究艺术问题的着眼点和不同以往的研究方法,以及海德格尔艺术观对传统美学、艺术理论的超越之处,力图到达海德格尔艺术思想的本质所在。基于此,本文分六章进行了相关研究: 第一章对海德格尔的基础存在论进行了简单的论述,在此基础上我们讨论了基础存在论如何与艺术问题相关,并对艺术问题的研究有哪些方法论上的指导作用和启发。由此得出本文主体部分的行文思路:用解释学的方法,从艺术构成的第一要素——艺术作品入手,再反观艺术本身,最后再回到艺术作品。 第二章从艺术作品本身入手,讨论了艺术作品与存在、真理的关系。从艺术作品本身的特性出发,我们得到了艺术作品如何与真理问题相关的解答;从艺术作品的生成出发,我们得到了真理如何进入到艺术作品这个问题的解答。本章主要讨论了艺术作品的物性论、本质论和创作论,为下一步讨论海德格尔的艺术本质作了铺垫。 第三章名为艺术的本质论。通过研究我们可以知道,讨论艺术作品的本质问题并不是海德格尔的最终目的,对艺术作品之本源的讨论,最终还是为了解答什么是艺术这一问题。海德格尔将艺术作品的在场和创作者对这一在场的保存统一为“诗”这个概念,并将艺术的本质称为“诗”。这一章,我们就主要对“诗”这个概念进行阐述。 第四章主要讨论了艺术作品保存的第二个阶段,即艺术作品被创造之后,在脱离了创造者之后,如何成为独立的存在者,并如何将自身所包含的真理显现出来,成为与他者不同的独立的存在者。本章涉及了与艺术作品保存第二个阶段密切相关的接受者,并作讨论和评价。 第五章首先对海德格尔之于艺术的一些总结性论断进行阐述,进而将海德格尔艺术观与传统艺术观进行了比较,找出海德格尔艺术观不同以往的更加合理、先进的研究方法和观点,从比较中对海德格尔的艺术本质观进行总结。 第六章主要是对海德格尔艺术观的评价。前五章中我们力图进入海德格尔的视野,从他的角度对艺术内部各环节的关系进行了梳理,并总结出艺术的本质。这一章我们跳出了海德格尔的艺术研究视野,从他者的角度对海德格尔的艺术观进行关照,从中找出海德格尔艺术本质观的合理之处和对我们有启发的地方,同时,我们也从自己的角度讨论了海德格尔艺术本质观的不足之处,并对其中不能让人满意的地方进行讨论。
[Abstract]:In recent years, along with the evaluation and research of Heidegger's works reproduced and thought deeply, Heidegger art research has also become an important aspect in the study of Heidegger in China. In general, the research mainly at home and on Heidegger's aesthetic and art view in the following aspects: one is the relationship between Heidegger and traditional aesthetics; two is the basic aesthetic thoughts and artistic view of Heidegger; the three is Heidegger's ontological poetics; the four is Heidegger and aesthetic modernity; five stage of Heidegger's aesthetic thoughts. Through summing up, we can find that the present research on Heidegger's aesthetic and art view, although has made some progress, also appeared some insightful work, but there are still about a single, simple classification and "tag". Some problems such as aesthetics of Heidegger In the view of art and research in most treatises and not really deeply, and reveal the inherent relevance of some problems also need to be further studied.
Based on the brief discussion of Heidegger's philosophy, the study of the inner link between Heidegger's art view contains all aspects, discusses the problems of Heidegger art focus and different research methods, and Heidegger on the traditional concept of art aesthetics, art theory innovation, and strive to achieve the essence of Heidegger's artistic thought based on this, this paper is divided into six chapters for the related research:
The first chapter on the basis of Heidegger's ontology were discussed on the basis of this, we discussed the fundamental ontology related to art, and art research on problems which have methodological guidance and inspiration. Thus this article main part: using hermeneutic way, starting with the first element from the art form of art, and in art itself, and finally back to the works of art.
The second chapter starts from the works of art itself, discusses the artistic works and the existence of truth. Starting from the characteristics of the work of art itself, we have art works related to the answer to the problem of truth; from the creation of the artistic work, we understand how the truth into the work of Art in this chapter. This paper discusses the theory of art, nature and creation theory, which paves the way for the next step to discuss the essence of Heidegger's art.
The third chapter is about the essence of art. Through the research we can know that the final goal of the discussion of essence of art works is not Heidegger's discussion on the origin of art works, but to answer this question. What is the art works of art Heidegger will be on hand and originator for preservation the concept of poetry ", and the essence of art called" poetry ". In this chapter, we mainly on the concept of" poet "in this paper.
The fourth chapter mainly discusses the second stages of art preservation, that works of art are created, from the creator, how to become an independent existence, and how their own truth emerged, and others become different independent existence. This chapter relates to the preservation and works of art second the recipient is closely related to the stage, and make a discussion and evaluation.
The fifth chapter of Heidegger in the summary judgment of art is expounded, and then Heidegger's art view compared with the traditional view of art, art is different from the past to find Heidegger more reasonable, advanced research methods and views, from the comparison of the artistic essence of Heidegger's concept of summary.
The sixth chapter is the evaluation of Heidegger's artistic views. The first five chapters, we try to Heidegger's view, analyzes the relation between each part of interior art from his point of view, and summed up the essence of art. In this chapter we out of the artistic study of Heidegger's view, from the Perspective of the other on the art of Heidegger the concept of care, in order to find out the reasonable artistic essence of Heidegger and inspired the place for us at the same time, we also from their own perspective to discuss the defects of artistic essence of Heidegger, and the unsatisfactory places are discussed.
【学位授予单位】:山东大学
【学位级别】:硕士
【学位授予年份】:2007
【分类号】:I01
【引证文献】
相关硕士学位论文 前1条
1 张宏宇;海德格尔倾听的诗学思想[D];黑龙江大学;2012年
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