中国大陆文艺美学学科发展史实研究（1971-2000）

发布时间：2018-04-11 01:04

本文选题：文艺美学 + 文学艺术　；参考：《山东大学》2008年硕士论文

【摘要】： 文艺美学是二十世纪后期中国学者在美学、文艺学领域提出的带有原创性的新兴学科,其发展始终伴随着争论与争鸣。本文旨在整理中国大陆文艺美学自1971年至2000年(即学科初创期和发展期)的发展历程。处于初创和发展期的文艺美学首先要解决的是学科性质和学科定位问题,以及由此带来的研究对象、逻辑起点及学科体系问题。本文着重于此时期的文艺美学原理研究,以胡经之、周来祥、王世德、杜书瀛等学者的论著为线索,拟从各家争鸣中见出各文艺美学基本问题的提出与解决。全文共分六章。绪论部分简短回顾了本时期文艺美学学科具有代表意义的部分成果,同时力图清晰界定“文艺”一词的含义,认为对于文艺美学的种种建构设想,是中国美学界在八十年代“美学热”的催动下,对于“美学的中国化”、“美学体系建设”的一种具体回应方式和成果,它体现了最近几十年来中国美学研究的一种态势,即强调美学之西方传统与中国本土思维成果的结合,把美学的纯思辨过程延伸进感性形象的文艺活动之中。第一章分析了中国大陆首提“文艺美学”名称的胡经之先生的学科构想。胡经之将审美活动作为文艺美学的研究起点,以创作——作品——享受为构架,认为文学艺术是审美活动的独特方式,文艺美学是对文学艺术特有审美规律的理论探讨。第二章分析了周来祥先生的文艺美学体系。周来祥将艺术的审美本质作为逻辑起点,在对文学艺术做历时考察的同时做横向的研究,在横向的分析同时做历时的审视,其文艺美学体系是一个纵横交错、质量双向、历史与逻辑辩证统一的系统。第三章分析了王世德的文艺美学主张,即以审美活动为基础,以“审美特质/特性”、“审美规律”为核心范畴,认为文艺美学是美学的下属部门,是文艺学的分支部门、从属于文艺理论。第四章分析了杜书瀛的文艺美学系统,即以审美活动为基点,以审美——作品——接受为线索,考察和揭示文艺的审美性质和审美规律。第五章概述了部分学者对文艺美学作为一门学科的质疑,比如王德胜认为,在美学、文艺学两个参照系中定位文艺美学的尝试值得商榷;因此不妨模糊“学科”企图,深化“问题”研究。诸多其他学者亦提出若干问题以期文艺美学关注。第六章综合整理了本时期文艺美学学科的部分其他理论成果,这些重要的理论成果对于文艺美学学科的建设发展以及与之相关的文艺学、美学学科的建设发展都有着深远而重大的意义。结语部分总结了文艺美学学科的研究方法、研究对象等问题,认为文艺美学改变了文艺学长期以来的对文艺与审美的关系的漠视,转移了美学中对美的本质的讨论的思辨演绎,把美学研究拉回了艺术审美的现实根基,是对西方现代美学的“艺术哲学化”发展趋向的认同,也是向我国古代美学研究对文艺的具体审美感悟的回归,更是从艺术美的向度来思考和张扬人性之美、通过对文艺审美的特性的研究,对人类的命运与前途所给予的关怀。本文按照马克思主义一切研究都应从事实出发而不是从定义出发的基本观点,采取回到事情本身的方法,即不从抽象的“文艺美学”这个概念出发,而是考察具体研究成果与研究历程,力图做到历史与逻辑相统一、史与论相结合。
[Abstract]:The literary aesthetics is China scholars in late twentieth Century with the emerging discipline of aesthetics, originality made the field of literature and art, its development is always accompanied by controversy and debate. The thesis China, aesthetics of literature and art from 1971 to 2000 (i.e., the start-up period and development period) the course of development. In the start-up and development stage of literary aesthetics to solve the first problem is the discipline nature and orientation, as well as the research object the logical starting point and the discipline system. This paper focuses on the research of literary aesthetics principle, this time to Henry, weeks Xiang, Wang Shide, Du Shuying and other scholars, works as a clue, from the proposed quasi contention showed the basic problems of various art the aesthetic and the solution.
This paper consists of six chapters. The introduction part is a brief review of some achievements in literary aesthetics in this period representative, while trying to clearly define the meaning of the word, that for all the construction of literary aesthetics, is Chinese aesthetic circle in 80s "aesthetics popularity" of the catalyst, for the "aesthetics of China", "a specific response to the aesthetic system construction methods and achievements, it reflects the recent decades of aesthetics Chinese a trend, which emphasizes the combination of the traditional western aesthetics and Chinese local thinking achievements, the pure thinking process of aesthetics extends into the perceptual image of literary activities.
The first chapter analyzes the subject conception of China, the first mention of the "Literary Aesthetics". The name of Mr. Hu Hu aesthetic activities as the research starting point of literary aesthetics, to create works of comfort for the framework, that art is a unique way of aesthetic activity, literary aesthetics of literature and art of unique aesthetic theory. The second chapter is the analysis of Mr. Zhou Laixiang's literary aesthetics system. Zhou Laixiang will be the aesthetic nature as the logical starting point, in literature and art and the diachronic study the transverse research, look at the horizontal analysis and diachronic, its literary aesthetic system is a two-way quality system, arranged in a crisscross pattern, the dialectical unity of history and logic. The third chapter analyzes the aesthetic proposition of Wang Shide, that is based on aesthetic activities, the aesthetic features of "/ characteristics", "aesthetic law" as the core. Domain, think the literary aesthetics is aesthetics of subordinate departments, branch of the Department of literature and art, belongs to the literary theory. The fourth chapter analyzes Du Shuying's literary aesthetics system, namely aesthetic activities as the starting point, to accept aesthetic works as a clue, aesthetic nature and aesthetic rules examine and explore the literature. The fifth chapter summarizes some scholars questioned as a subject of literary aesthetics, such as Wang Desheng, in aesthetics, try to position two in the reference system of literary aesthetics is worth discussing literature; therefore it may be fuzzy "discipline" attempt to deepen the "problem". Many other scholars also put forward some problems in literary aesthetics attention. The sixth chapter the aesthetics of literature and art of the period of some other theoretical results, these important theoretical results for the development of aesthetics of literature and art and the art aesthetics. Are of great significance for construction and development of disciplines. The conclusion part summarizes the research methods of literature and art aesthetics, the problems such as the research object, that changed the literary aesthetics literature and art for a long time on the relationship between literary and aesthetic disregard, shifted the discussion of the essence of beauty in aesthetics thinking interpretation, aesthetics to study the reality of art aesthetic foundation, is on the western modern aesthetics "philosophy of art" the tendency of the development of identity, is to return to the study of ancient Chinese aesthetics of literary aesthetic perception is more specific, from art to thinking and publicity of the beauty of human nature, through the study of literary aesthetic characteristics that gives to the human destiny and future care.
According to Marx's basic views of all research should start from reality and not from the definition, take the way to come back to the thing itself, that is not starting from the concept of abstract "Literary Aesthetics", but the particular research achievements and research history, trying to achieve the unity of history and logic, combining history with theory.

【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：I01

【引证文献】