由“视觉模式”在美术史中的不同体现看绘画与变幻着的真实观

发布时间：2018-04-17 09:34

本文选题：视觉模式 + 真实　；参考：《浙江师范大学》2007年硕士论文

【摘要】： 目前,我国的视觉艺术正经历着一个向多元化转变、发展的过程,唾弃模仿、强调创新是时代趋势,它反映出人类多种探索的愿望,但仍有许多问题值得思考,其中“视觉模式”的问题,作为一个由人的视觉引起的根本问题,在某种程度上妨碍了艺术家在艺术实践中理性的自我批判、发现、认识能力,特别是多年来.我们一直是基于对西方传统油画的理解上来谈油画历史的发展,对油画材料、技巧的运用以及绘画风格的演变等方面问题的研究虽已取得一定的成效,但未把“视觉模式”纳入其中。而视觉问题又牵扯到人的主观体验、理解和表达方式,因而显得尤为复杂和困难。从这个角度出发,以“视觉模式”为出发点来探讨美术史中不同时期、不同艺术风格的嬗变就变得尤为重要了。特别是通过现象学的学习我们知道事物总是在人的意识流中不断流变、不断生成的有着无限意蕴的结合物。而人们就是在事物不断生成、不断流变的过程中关照着事物,因此,“Is this what Isee?”(这难道就是我之所见)就成为一个问题。作为艺术家来讲采用怎样的“视觉模式”、怎样的绘画手段,才能更准确的把握住越来越纷繁复杂的视觉真实才是艺术家所需要解决的迫切问题。本文从“视觉模式”出发,通过研究我们眼中所呈现的自然世界及其真实面目的关系,即物的显现与物的本质的问题。来对整个西方哲学史上这个争执不休的问题进行分析。
[Abstract]:At present, China's visual art is experiencing a change from diversification, development process, by imitation, stressed that innovation is the trend of the times, it reflects the desire to explore a variety of human, but there are still many problems worth thinking about, "the visual pattern", as a fundamental problem caused by human vision and, to some extent hindered the artists in the art practice rational self criticism, found that cognitive ability, especially for many years. We have been based on the development of traditional Western painting understanding up to talk about the history of painting, oil painting materials, research techniques and the use of the painting style of the evolution of problems though has certain effect, but not the "visual pattern" included. But the visual question involves to person's subjective experience, understanding and expression, which is very complex and difficult. From this point of view And take "the visual pattern" as the starting point to explore the different periods in the history of art, the evolution of the different art styles will become particularly important. Especially through the phenomenological study we know that things are always in the stream of consciousness in rheology, constantly generating a combination of infinite implication. And it is in the things we generated in the care process flow of things, therefore, "Is this what Isee?" (this is what I see) has become a problem. Says how as the artist uses "the visual pattern", how drawing method, can more accurate grasp more complex vision really is the urgent problem needed to be solved in this paper. The artist embarks from "the visual pattern", the relationship between the natural world through the study of our eyes shows its real appearance, that is the nature of the object of the show and asked An analysis of this contentious issue in the history of western philosophy.

【学位授予单位】：浙江师范大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J120.9

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