日常生活审美化思潮述评

发布时间：2018-05-09 19:18

本文选题：日常生活 + 审美化　；参考：《东北师范大学》2008年硕士论文

【摘要】： 日常生活审美化出现在中国,是近几年的事。自从2000年在杭州会议上,陶东风提出这个论题开始后,在全国范围内形成了论争,进而形成了一种思潮。关于日常生活审美化,国外在80年代就早已出现了,只是不像中国这样,规模如此之大。它的出现在中国美学引起了强烈的反响。这个思潮的出现对中国的文艺学的建树与发展有一定的促进作用,但最近关于它的话题论争又趋于平淡了。因而我们必须把这个的研究加以拓展和深化,才能很好的建设我们的文艺学、美学。本文共分为四个部分,对日常生活审美化思潮进行了阐述,目的在于澄清古今关于审美化的区别,特别是中西日常生活审美化的不同。第一部分:首先确定了日常生活审美化定义,以及在确定定义中涉及到的几个区分,以此得出日常生活审美化的定义,进而确定日常生活审美化思潮的涵义,从而让人们初步确认日常生活审美化是中国所特有的事实,把日常生活审美化上升到了一个高度。第二部分:究其思潮产生的原因,得出此现象是在当代工业生产和消费文化的高速发展下而出现的,文化产业是其发展的催化剂。这有助于我们从源头理解其涵义,在这里涉及到审美化的特征及其日常生活审美化在中国当下现实中是这样的一种形态。第三部分:通过对日常生活审美化思潮的论争,从而澄清在中国当下美学、文艺学界所出现的几个问题。解决这些问题对我们进一步研究文艺学有重大意义。第四部分:追溯研究日常生活审美化思潮的意义,即在拓展文艺学、美学的边界,对以往美学的反叛与颠覆。审美必须回归到日常生活中来,审美只有在日常生活中进行,审美才有理论基础和实践意义。
[Abstract]:It is a matter of recent years that the aesthetics of daily life appears in China. Since the beginning of this topic at the Hangzhou Conference in 2000, there has been a nationwide debate and a trend of thought. About the aesthetic of daily life, foreign countries appeared in the 1980s, but not as large as China. Its appearance in Chinese aesthetics has aroused a strong response. The emergence of this trend of thought has promoted the achievement and development of Chinese literature and art to some extent, but the recent controversy about it has become more and more mundane. Therefore, we must expand and deepen this research, in order to build our literature and art, aesthetics. This article is divided into four parts, the aesthetic trend of daily life is expounded, the purpose is to clarify the ancient and modern aesthetic differences, especially the differences between Chinese and Western daily life aesthetic. The first part: first of all, the definition of daily life aesthetic is determined, as well as several distinctions involved in the definition, in order to get the definition of daily life aesthetic, and then determine the meaning of daily life aesthetic thoughts. So that people initially confirm that the aesthetic of daily life is a unique fact in China, and raise the aesthetic of daily life to a high level. The second part: the reason of the trend of thought, it is concluded that this phenomenon appears under the rapid development of the contemporary industrial production and consumption culture, and the cultural industry is the catalyst of its development. This is helpful for us to understand its meaning from the source, which involves the characteristics of aesthetic and the aesthetic of daily life in the present reality of China. The third part: through the debate on the aesthetic trend of daily life, it clarifies some problems in the contemporary Chinese aesthetics and literature circles. Solving these problems is of great significance to our further study of literature and art. The fourth part: tracing the significance of aesthetic thoughts in daily life, that is, expanding the boundary of literature and art, aesthetics, rebellion and subversion to the past aesthetics. Aesthetics must return to daily life. Only in daily life can aesthetics have theoretical basis and practical significance.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：I01

【参考文献】