“走向文化诗学”与“走向文本社会学”之辨

发布时间：2018-05-11 07:12

本文选题：文化诗学 + 文本社会学　；参考：《江西社会科学》2008年02期

【摘要】：20世纪80年代,国外几乎同时出现了"走向文化诗学"和"走向文本社会学"两种理论主张。两者的提出有着相同或相似的学术背景和学术旨趣,但不同点也是明显的。前者以文化为纽带,主张视界融合的跨学科研究,对文学文本内和文学文本外进行双向探索;论旨明确,但缺乏技术方法的明晰性、精细性和可操作性。后者以语言为中介,主张通过对文本语义、句法和叙述的精细解读,揭示语言向意识形态的推论过程,从而寻找出"语言结构"与"社会结构"之间可验证的关系,在技术层面表现出方法的明确性、精细性和可操作性。两种理论在国内都产生了深刻影响。文艺理论发展史表明:新世纪的中国文艺学只有走向辩证综合、多元共存,才能应对现实问题的多样性、交叉性和复杂性。
[Abstract]:In the 1980's, two theories of "towards cultural poetics" and "towards text sociology" appeared at the same time in foreign countries. They have the same or similar academic background and purport, but the differences are obvious. The former takes the culture as the link, advocates the interdisciplinary research which the horizon merges, carries on the two-way exploration to the literature text inside and outside, the theory purpose is clear, but lacks the technical method clarity, the fineness and the maneuverability. The latter takes language as an intermediary and advocates that the corollary process from language to ideology be revealed through careful interpretation of text semantics, syntax and narration, so as to find out the verifiable relationship between "language structure" and "social structure". At the technical level, it shows the clarity, fineness and maneuverability of the method. Both theories have had a profound impact at home. The history of literature and art theory development shows that the Chinese literature and art science in the new century can cope with the diversity, intersectionality and complexity of practical problems only if it moves towards dialectical synthesis and multiple coexistence.
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