西方超文本文学的后现代思想意识研究

发布时间：2018-06-04 03:47

本文选题：超文本文学 + 西方后现代主义　；参考：《江西社会科学》2012年11期

【摘要】：超文本文学以其独特的形式从诞生之日起就引起了文学界的极大兴趣,在借助网络技术的过程中,极大地引起了普通民众的参与热情。在整个超文本文学的关键点上,节点、链接、网状结构都与后现代主义"原"、"星座"、"块茎"、拼贴、蒙太奇等等隐性相通,在断裂线性结构与重构创作过程中,超文本文学的叙事方式发散与离解,其现代传媒手段融入的主体性创作与碎片拼贴形成了与后现代主义美学特征的隐性相似,其思想意识非中心、非主流、非正统,潜在反叛传统、变异、扭曲、幽默与穿越,是不定性的多元思想指向,在文学理论的几个关键点上揉碎了时空与各种手法,超文本文学也是西方后现代主义的隐性形态。
[Abstract]:Hypertext literature, with its unique form, has aroused great interest in literary circles since its birth. In the process of using network technology, hypertext literature has aroused the enthusiasm of ordinary people to participate. In the key points of the whole hypertext literature, nodes, links, network structures are all connected with the post-modernism "original", "constellation", "tuber", collage, montage and so on. The narrative style of hypertext literature is divergent and dissociated, and its modern media means' subjective creation and fragment collage form a recessive resemblance to the aesthetic characteristics of postmodernism, and its ideology is non-central, unmainstream and unorthodox. The latent rebellion against tradition, variation, distortion, humor and traversing is the direction of indeterminate pluralistic thoughts. It crumbles time and space and various techniques on several key points of literary theory. Hypertext literature is also a recessive form of western postmodernism.
【作者单位】：南昌大学外国语学院;上海外国语大学;南昌大学科学技术学院理工学科部;
【分类号】：I0-05

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