越南绢本绘画的艺术特征

发布时间：2018-06-07 20:23

本文选题：越南 + 绢本　；参考：《吉林大学》2013年硕士论文

【摘要】：越南，从与外国侵略者的不懈斗争，到建立自己的国家，历经了一个漫长的历史过程。在这样的历史背景下，越南民族创造了即有丰富多样性又饱含着浓厚民族性的越南美术。虽然每一次领土遭到外来侵略，民族的文化就遭受一次破损甚至接近毁灭，但是时至今日浴火重生的越南艺术特别是绢本绘画日喻发展，日喻受到欢迎。虽然由于气候条件、战争等因素的影像，古代绢本画保留下来数量较少，但是它依然能作为越南今日绢本绘画发展的前提。越南绢本画是由各位画家把西方绘画与东方绘画艺术等艺术形式以独特地方式结合起来而形成的，它表示出越南民族的灵魂。纯洁、真实是越南绢本绘画所表现的艺术特点，这也是越南民族思想与民族艺术的价值取向。越南人会通过绢本绘画表示出他们对真、善、美等的渴望。这一点也让越南美术以及绢本绘画能够延续并不断的向前发展。本研经过究综合诸多材料来分析比较找出越南绢本画与世界上各国的绢本画之间的相同处及异同处。通过这样的比较，进一步研究越南绢本画中造型的特征。通过绢本画的质料、技术以及绢本画里的人物都能显示出越南对造型的观念及思想精神有自己独特的风貌和表现手法。因此，越南绢本画自古至今的各个时期的作品都反映越了南人民的日常生活，以及越南人民对家园国土上那如诗画一般美丽的景色的热爱，这些绘画内容都具有非常强的民族性。 “越南绢本绘画的艺术特征”的论文主要进行研究的问题如下：越南绢本绘画形成与发展的过程，越南绢本画以及中国、日本等绢本画之间的差异。从中，指出越南绢本绘画中的造型特征。越南绢本绘画在不同阶段表现示的民族性及现代性。越南绢本绘画中的笔法与写意画的笔法结合的独特性。越南绢本绘画中表示的感情审美。最后总结一下研究的各个问题以及提出本人的一些建议，，让越南绢本绘画艺术不断向前发展，提高自身的价值，并不停地学习世界上各国的绢本绘画艺术。希望通过本研究能让大家领会越南绢本绘画的特征，一个带着深厚民族性的绢本绘画。另一方面，希望本论文能作为研究理论工作不可缺少的材料，并能保存越南绢本绘画的遗迹以及记录越南绢本绘画的发展过程。
[Abstract]:Vietnam has gone through a long history from its unremitting struggle with foreign invaders to the establishment of its own country. In such a historical background, the Vietnamese people created both rich diversity and rich ethnic Vietnamese art. Although every time the territory was invaded, the culture of the nation was damaged or even nearly destroyed, but the art of Vietnam, especially the silk painting day, was developed, and the Japanese metaphor was welcomed. Although ancient silk paintings have been preserved in relatively small numbers due to the images of weather conditions, war, and other factors, However, it can still be regarded as the premise of the development of sericine painting in Vietnam today. It is formed by the painters who combine western painting with oriental painting art in a unique way, which represents the soul of the Vietnamese nation. Purity and truth are the artistic characteristics of Vietnamese silk painting, which is also the value orientation of Vietnamese national thought and national art. The Vietnamese express their desire for truth, goodness, beauty, etc. This also enables the Vietnamese fine arts and silk painting to continue and develop continuously. After studying and synthesizing many materials to find out the similarities and differences between the Vietnamese silk paintings and the silk paintings from all over the world. Through such a comparison, the further study of Vietnamese silk painting in the modeling features. Through the material, technology and characters in the silk painting, it can be shown that Vietnam has its own unique style and expression of the concept and spirit of the shape. Therefore, the works of the Vietnamese sericbook paintings from ancient times to the present reflect the daily life of the Vietnamese people, as well as the love of the Vietnamese people for the beautiful scenery of their homeland, which is as beautiful as poetry and painting. The contents of these paintings are of a strong national character. The main problems of this paper are as follows: the process of the formation and development of the Vietnamese seric-based painting, the Vietnamese seric-based painting and China, The difference between Japanese and other silk paintings. From this, it points out the styling features of Vietnamese sericbook painting. Vietnamese silk painting in different stages of the performance of the national character and modernity. The uniqueness of the combination of brushwork and freehand brushwork in Vietnamese sericbook painting. The aesthetic feeling expressed in Vietnamese sericbook paintings. Finally, it summarizes the various problems of the study and puts forward some suggestions of myself, so that the painting art of Vietnamese sericbook will continue to develop and improve its own value. Through this study, we hope that we can understand the characteristics of Vietnamese silk painting, a silk painting with a deep national character. On the other hand, it is hoped that this paper can be used as an indispensable material for theoretical research, and can preserve the vestiges of Vietnamese silk paintings and record the development process of Vietnamese sericine paintings.
【学位授予单位】：吉林大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J133.3

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