学科调整与理论重构——从“外国文学”到“比较文学与世界文学”

发布时间：2018-06-26 01:24

本文选题：比较文学 + 世界文学　；参考：《学术月刊》2015年03期

【摘要】：杨乃乔认为,比较文学的学科边界凭借语际与跨界两个维度的优势迅速向外扩张,最终比较视域与杰弗里·巴勒克拉夫的全球史观相呼应,成为比较文学研究者的身份标志。曹洪洋认为,"跨学科"是比较文学视域中不可或缺的构成因素,其对比较文学的身份认同必将继续做出重要贡献。姜哲认为,在中国语言文学的语境之下,"世界文学"的研究必然以"比较文学"为前提,即"中国文学"在"世界文学"中的出场,必须是将其自身呈现于历史的、审美的和科际的关系系统中的出场。郭西安认为,比较视域概念是理解比较文学后设学科特性与研究定位的枢机;从视域到比较视域的推进,也在很大程度上标识出传统人文研究向后人文研究过渡的理念特征。梁丹丹认为,中西方文学的互动对话是一种含有比较文学互文性质的典范文本,这一文本是研究主体在中西方文化精神的汇通与融合中生成与创造出的新的诠释意义的文本,即比较文学所倡导的"第三种诗学"。
[Abstract]:According to Yang Nai-chiao, the subject boundary of comparative literature expands rapidly by virtue of the advantages of interlingual and cross-border dimensions, and finally the comparative horizon echoes Jeffrey Barraclaf's view of global history and becomes the identity mark of comparative literature researchers. Cao Hongyang believes that "interdisciplinary" is an indispensable factor in the field of comparative literature, and it will continue to make important contributions to the identity of comparative literature. Jiang Zhe believes that in the context of Chinese language and literature, the study of "world literature" must be based on the premise of "comparative literature", that is, the appearance of "Chinese literature" in "world literature" must be presented in its own history. Appearance in the system of aesthetic and interdisciplinary relations. Guo Xi'an believes that the concept of comparative vision is the pivot to understanding the discipline characteristics and research orientation after the comparative literature, and the promotion from the horizon to the comparative horizon also marks to a great extent the conceptual characteristics of the transition from the traditional humanistic research to the post-humanistic research. Liang Dandan holds that the interactive dialogue between Chinese and western literature is a kind of exemplary text with the nature of intertextuality in comparative literature, and this text is the text of the new explanatory meaning generated and created by the research subject in the exchange and fusion of the spirit of Chinese and western cultures. That is, the third kind of poetics advocated by comparative literature.
【作者单位】：沈阳师范大学文学院;
【分类号】：I0-03

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