中国当代艺术中“里希特现象”思辨

发布时间：2018-06-29 23:21

本文选题：图像绘画 + 符号绘画　；参考：《吉林艺术学院》2013年硕士论文

【摘要】：在中国当代艺术的发展中出现了进退两难的境地，一方面是现代的图像绘画、符号绘画。另一方面仍然停留在现实主义与表现主义绘画。这种困境归根结底是方法论的问题。而“格哈德·里希特”是世界最知名并且最具影响力的当代艺术家之一，他对中国当代艺术产生了深刻的影响，众多当代艺术家在创作观念及技术层面上都受到了里希特的影响，对里希特的形式语言及色彩语言进行深入的解析，并对其对于中国当代艺术发展的推进作用做出阐释，是当代艺术界非常关注的。他成功的提示了中国当代艺术家们创作方法论的重要性，，不让要盲目的追捧与模仿，不要只注意艺术创作的表像象征，不要忽略其创作的内在逻辑。要真真正正的去研究、去关注。他在向人们述说一种新的视觉角度与学习方式。
[Abstract]:In the development of Chinese contemporary art, there is a dilemma, on the one hand, modern image painting, symbol painting. On the other hand, it still stays in realism and expressionism painting. This dilemma is ultimately a matter of methodology. Gerhard Richter is one of the most famous and influential contemporary artists in the world. Many contemporary artists have been influenced by Richter in their creative ideas and techniques. The formal language and color language of Richter have been deeply analyzed, and their role in promoting the development of Chinese contemporary art has been explained. It is of great concern to the contemporary art community. He successfully reminds the Chinese contemporary artists of the importance of creative methodology, so that we should not blindly pursue and imitate, do not only pay attention to the figurative symbol of artistic creation, do not ignore the internal logic of its creation. To really study, to pay attention to. He is telling people about a new visual angle and learning style.
【学位授予单位】：吉林艺术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J05

【参考文献】