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从观念和媒材研究中国当代艺术的实验性

发布时间:2018-07-05 08:55

  本文选题:观念 + 媒材 ; 参考:《华中师范大学》2008年硕士论文


【摘要】: 中国当代艺术是受到西方现代艺术和后现代艺术影响而产生的,是一种具有很强实验性的艺术现象,它带来了中国艺术史上前所未有的艺术观念和媒材的实验与创新。这种迅速发展的趋势正是中国艺术家大胆探索和进行大量的艺术实验并不断挑战和超越中国传统艺术所促成的。中国当代艺术家在进行了大量的艺术实验之后,使中国的当代艺术领域呈现出一种空前的自由状态,艺术的类型得到了拓展,艺术创作的资源得到了扩充,传统意义上的中国美术已经面目全非。这些实验性艺术引起了人们的广泛关注,也引发了很多的争议。它们不断地挑战艺术的边界,挑战中西方的文化,挑战着法律和道德标准。 本论文分为四个部分,第一部分论述中国实验性艺术现象产生的渊源和现状,首先介绍渊源,受到20世纪西方艺术的影响,其次论述实验性艺术大致经历了三个阶段,第一个阶段是简单模仿西方现代艺术,第二个阶段是进行本土化的当代艺术实验,第三个阶段是融入全球化语境。本文第二部分论述观念的实验拓展了艺术的类型,从而使得中国当代艺术具有了多元化的趋势,成为国际当代艺术的一个重要分支。这部分分别从绘画、观念摄影、行为艺术、装置艺术、新媒体艺术来展开论述。随着观念的变革,媒材也发生了变革。第三部分论述媒材的实验,媒材呈现出了一种多样性,扩充了艺术创作的资源。第四部分是结论部分,本人对中国当代艺术的实验性进行了简单的总结。
[Abstract]:Chinese contemporary art is influenced by western modern art and postmodern art. It is a very strong experimental art phenomenon. It brings unprecedented artistic ideas and media experiments and innovations in the history of Chinese art. This rapid development is the result of Chinese artists exploring and conducting a large number of artistic experiments and constantly challenging and surpassing Chinese traditional art. After a large number of artistic experiments, Chinese contemporary artists have shown an unprecedented state of freedom in the field of contemporary art, the types of art have been expanded, and the resources for artistic creation have been expanded. In the traditional sense of Chinese art has been completely changed. These experimental arts have aroused widespread concern, but also caused a lot of controversy. They constantly challenge the boundaries of art, Chinese and Western cultures, and legal and moral standards. This paper is divided into four parts. The first part discusses the origin and present situation of the experimental art phenomenon in China. Firstly, it introduces the origin, influenced by the western art in the 20th century, and then discusses that the experimental art has experienced three stages. The first stage is the simple imitation of western modern art, the second stage is the experiment of local contemporary art, the third stage is the integration of globalization context. The second part of this paper discusses that the experiment of concept has expanded the types of art, thus making Chinese contemporary art have a diversified trend and become an important branch of international contemporary art. This part from the painting, concept photography, behavior art, installation art, new media art to begin to discuss. With the change of concept, the medium has also changed. The third part discusses the experiment of media, which presents a variety and expands the resources of artistic creation. The fourth part is the conclusion part, I have carried on the simple summary to the Chinese contemporary art experiment.
【学位授予单位】:华中师范大学
【学位级别】:硕士
【学位授予年份】:2008
【分类号】:J120.9

【引证文献】

相关硕士学位论文 前2条

1 陈冰冰;无墙的美术馆[D];北京服装学院;2012年

2 邱爱艳;刺绣在当代艺术设计中的运用及其语言转换研究[D];中央美术学院;2013年



本文编号:2099669

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