从接受理论的角度谈中国古典诗歌的翻译

发布时间：2018-07-06 18:24

本文选题：接受理论 + 未定性　；参考：《天津师范大学》2006年硕士论文

【摘要】：本文从接受理论的角度谈中国古典诗歌的翻译。在以前的翻译理论中，，作者或文本中心论占绝对统治地位，没有考虑读者的接受，也没有考虑到在翻译过程中，译者依据读者的接受采用不同的翻译策略。以人的接受实践为依据的接受理论的诞生使人们找到了新的研究方法，是方法论上的重大变革。接受理论重新定义读者的作用和地位，提出了未定性，具体化，视野融合等一系列概念，把文本中心论的模式改变为读者中心论，对传统翻译观产生了极大冲击。中国古诗词重在韵味，意味深长。本文从读者和译者的接受角度出发，以中国古诗翻译不同译本为例，阐释了接受理论在其中所起的作用，指出不同文本的出现是基于译者不同的接受和对译文读者接受的考虑，译者在翻译过程中采取的翻译策略必须要考虑译文读者的接受，并就诗歌中文化因素的翻译从接受的角度做了一定的尝试。本文包括引言和五个章节。第一章介绍了接受理论。第二章介绍接受理论对文学翻译的启示和诗歌的可译性。第三章论述了接受理论在中国古典诗歌翻译中的作用。第四章探讨了如何翻译诗歌中的文化因素。第五章是结论。
[Abstract]:This paper discusses the translation of Chinese classical poetry from the perspective of reception theory. In previous translation theories, the author or text-centered theory was dominant and did not take into account the reader's acceptance, nor did it take into account that the translator adopted different translation strategies according to the reader's acceptance in the translation process. The birth of the acceptance theory based on the practice of human acceptance makes people find a new research method and it is a great change in methodology. The reception theory redefines the role and position of the reader and puts forward a series of concepts such as uncertainty, concretization, visual field fusion and so on. The model of text-centered theory is changed into reader-centered theory, which has a great impact on the traditional translation view. Ancient Chinese poetry emphasizes the charm and has a profound meaning. From the perspective of readers' and translators' reception, this paper takes different versions of Chinese classical poetry as an example to illustrate the role of reception theory, and points out that the emergence of different texts is based on the translator's different acceptance and the consideration of the readers' acceptance of the target text. In the process of translation, the translator must consider the acceptance of the target readers, and try to translate the cultural factors in poetry from the perspective of acceptance. This article includes an introduction and five chapters. The first chapter introduces the theory of acceptance. Chapter two introduces the enlightenment of reception theory to literary translation and the translatability of poetry. Chapter three discusses the role of reception theory in the translation of Chinese classical poetry. Chapter four discusses how to translate the cultural factors in poetry. Chapter five is the conclusion.
【学位授予单位】：天津师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：I046;H059

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