论南洋四国的中国艺术（1644-1949）

发布时间：2018-07-07 21:58

本文选题：中国艺术 + 南洋四国　；参考：《福建师范大学》2007年硕士论文

【摘要】： 随着清代华人大规模南移，大量的中国艺术进一步传入南洋地区。其中，菲律宾、新加坡、马来西亚与印度尼西亚四国是南洋地区当中华人数量较多、影响较深的国家，因此中国艺术于此南洋四国的传播与发展尤为突出。特别是十九世纪中叶之后，由于帝国主义的疯狂侵略以及清政府的腐败统治，移民南洋四国的华人数量不断攀升。大量华人涌入南洋四国，促使中国艺术更广泛更深入地传播于南洋四国各地。经过漫长的异域发展，，中国艺术逐渐与南洋四国本土艺术相互融合。这推动了南洋四国本土艺术的发展，也给南洋四国的中国艺术增添了鲜艳的南洋色彩。本文以菲律宾、新加坡、马来西亚以及印度尼西亚为地域范围，以1644—1949年为时间跨度，试图对南洋四国内中国艺术的传播与发展进行系统的整理与分析，从而阐述其对南洋四国艺术以及中国艺术所具有的重要意义。
[Abstract]:With the large-scale southward migration of Chinese in the Qing Dynasty, a large amount of Chinese art was further introduced into the Nanyang region. Among them, the Philippines, Singapore, Malaysia and Indonesia are the countries with a large number of Chinese in the Nanyang region, so the spread and development of Chinese art is particularly prominent in the four Nanyang countries. Especially after the middle of the nineteenth century, the number of Chinese emigrating to the four countries of Nanyang was rising because of the crazy invasion of imperialism and the corrupt rule of Qing government. A large number of Chinese poured into the four Nanyang countries, prompting the wider and deeper spread of Chinese art throughout the four Nanyang countries. After a long foreign development, Chinese art gradually merged with the native art of the four Nanyang countries. This promotes the development of the native art of the four Nanyang countries, and adds bright Nanyang color to the Chinese art of the four Nanyang countries. Taking the Philippines, Singapore, Malaysia and Indonesia as the regional scope, and taking 1644-1949 as the time span, this paper attempts to systematize and analyze the spread and development of Chinese art in the four Nanyang countries. Thus expound its important significance to the Nanyang four countries' art and the Chinese art.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J110

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