中国当代艺术独立策展人身份问题研究

发布时间：2018-07-10 10:53

本文选题：策展人 + 独立策展人　；参考：《华中师范大学》2006年硕士论文

【摘要】：独立策展人现象在国内艺术界的出现不足二十年，，近几年才得到关注，但其影响却不容小觑。国内策展人的产生从一开始所拥有的姿态就是“独立”的，这种独立具有一种“野生的独立性”，他们在国内当代艺术发展的过程中担负了比纯粹的独立策展人更多的责任，其身份组成是多种多样的，并以不同的手段进行独立策展工作，为国内当代艺术和国内艺术产业的发展做出了独特的贡献。全文主体分为四个部分：第一部分阐述了独立策展人的产生及独立策展人时代的到来，为独立策展人身份问题的提出提供了契机。国内独立策展人的产生与西方独立策展人的产生有很大的不同，体制的不健全和艺术市场的混乱，为独立策展人提供了机遇，也提出了挑战，明确国内独立策展人身份，引导独立策展人建立对自身有利的身份特征成为当下艺术发展的紧急要求。第二部分是对独立策展人的身份解析，为大家展示一个职业独立策展人应该具有的生存和生活环境，使大家了解国内独立策展人现状存在的原因和国内艺术展览体制应该前进的方向。第三部分重点描述国内艺术展览体制下多种身份的独立策展人的策展方式，使了解国内独立策展人的身份和策展现状。国内独立策展人主要采取四种策展方式：江湖游侠式、出口转内销式、兼职式和专职，这四种不同的策展方式显现了国内独立策展体制的困境。第四部分是对国内独立策展人发展前景的描述，随着国内艺术体制的改变，适合独立策展人发展的艺术生态环境也将会发生变化，但由于基金会和适合基金会发展的法令政策的缺乏，将会严重影响独立策展人的发展前景。最后的结语部分总结了全文的工作，并指出研究的不足和需要继续研究的几个问题。
[Abstract]:The phenomenon of independent curators appeared in the domestic art circle for less than 20 years, but its influence can not be underestimated. The appearance of domestic curators was "independent" from the beginning. This independence had a "wild independence", and they had more responsibilities than pure independent curators in the process of the development of contemporary art in China. Its identity composition is diverse, and it has made a unique contribution to the development of contemporary art and domestic art industry by different means. The main body of the thesis is divided into four parts: the first part expounds the emergence of independent curators and the arrival of the era of independent curators, which provides an opportunity for raising the identity of independent curators. The emergence of independent curators in China is quite different from that of independent curators in the West. The imperfect system and the confusion of the art market provide opportunities and challenges for independent curators, and clarify the identity of independent curators in China. Guiding independent curators to establish self-beneficial identity has become an urgent requirement for the development of art. The second part is to analyze the identity of independent curators, to show you the living and living environment that a professional independent curator should have. To make everyone understand the reasons for the existence of independent curators in China and the direction of the art exhibition system in China. The third part mainly describes the ways of independent curators of various identities under the domestic art exhibition system, so as to understand the identity and current situation of independent curators in China. The independent curators in China mainly adopt four kinds of exhibition methods: Jianghu Ranger style, Export to domestic sales style, Part-time style and full-time. These four different ways show the predicament of domestic independent exhibition system. The fourth part is the description of the development prospects of independent curators in China. With the change of domestic art system, the ecological environment of art suitable for the development of independent curators will also change. However, due to the lack of legal policies suitable for the development of foundations, the development prospects of independent curators will be seriously affected. Finally, the conclusion summarizes the work of the paper, and points out the shortcomings of the research and several problems that need to be further studied.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J124

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