哈尔滨娱乐观赏的变迁研究
发布时间：2018-07-16 13:49
【摘要】： 哈尔滨的娱乐观赏在二十世纪早期,经历了一个从传统观赏模式向现代型观赏模式转换的过程。这是其移民城市的身份和外来文化影响,共同作用的结果。其突出的内在表现就是在娱乐观赏中,不断激发的群体意识和不断强化的身体注视过程。这种变迁的外在表现为,哈尔滨城市生活中,娱乐观赏的多元化和时尚倾向。 一方面,由于所处地理位置的特殊性,哈尔滨传统的观赏带有浓厚的关东文化特色。并且由于关内闲散移民所带来的文化娱乐影响,带有中原文化痕迹。然而,由于娱乐在中国传统社会中的地位,只是一种附属形式的社会活动,带有很大的偶然性和随机性,因此,并没有成为一种独立的生活方式。这一时期传统型的娱乐观赏,主要是个关内移民文化影响下的,观赏空间不固定的,观赏注视方式随意的,没有很强的群体自觉意识的,某些岁时节庆活动的衍生物。另一方面,中东铁路的修建,使俄侨娱乐观赏活动逐渐进入哈尔滨,并且带来了现代性因素,虽然此时的俄侨娱乐观赏活动仍然只是处于初期阶段。 随着中东铁路的建成通车,以及哈尔滨随后的开埠通商,再到十月革命后,大量白俄的进入,哈尔滨的文化娱乐观赏,得到了良好的发展。中原戏曲、西洋音乐以及新兴起的电影等观赏活动,在哈尔滨蓬勃兴盛。随之而来的是,一些现代性的观赏元素的引入和发展。 首先是大规模的剧场化,以及观赏演出的场所越来越专业化。在南岗和道里地区的各种俱乐部的演出舞台上,经常上演专业化的西洋音乐会。在道外地区,随着二十年代左右茶园、舞台建设热情的高涨,一大批专门演出中国出同戏曲的专业演出场所兴盛起来。无论在南岗、道里还是道外,电影作为一种新奇的娱乐观赏形式,都产生了轰动的社会效果。据统计,在当时的哈尔滨曾经存在64个电影放映场所。其中13个是具有规模的固定长期影院。 其次是观赏对身体注视要求的强化。西洋音乐会对观赏时间的严格要求,可以视为哈尔滨现代观赏标准产生的滥觞。随着中原戏曲演出在哈尔滨的水平和档次越来越高,传统戏曲的吸引力,也使观赏时候的身体控制日趋严格。当哈尔滨的电影放映业,跟随着世界发展的脚步,逐渐摆脱了早期的杂耍性质,内容日趋严肃的时候,电影放映时候的观赏对注视和身体控制的严格,成为最具现代意义的事件。 最后在这一系列的交融与演变后,现代人所具有的观赏群体社会共识性存在产生了。观赏群体共识性存在的基础,是对观赏内容的选择的认同。当哈尔滨西洋音乐演出日趋高雅与精湛,并最终走出哈尔滨到全国甚至全球演出的时候,哈尔滨地区的传统戏曲演出也在发展壮大。演出中现代化的舞台装饰和新的大型表演节目日渐增多。同时反映现代人生活的剧目被创作演出。最具有现实意义的是电影节目的社会性。很多表现当时人们生活原貌和理想的电影影片被放映,并且受到欢迎。 我在研究中,尝试着将娱乐观赏活动,分为四个组成部分：观众、剧场、观赏规范及节目内容。这四个部分产生了三个行动产物：选择性策略行动、接受性策略行动及共识性存在。在我所做的社会学研究中,认为不同阶段的策略行动变化,导致了新的群体共识产生并确定存在。这样就将过程分析与结构组成结合起来。 通过对观赏策略性行动和观赏共识性存在的分析,本研究就不再仅仅是一种社会变迁的描述与解释,而进入一种理论探讨的尝试。该尝试的目的,是对当代哈尔滨娱乐观赏结构的延续与变迁,进行回溯性的考察。结论是哈尔滨娱乐观赏的现代性变迁,产生并形成于二十世纪二十代。其影响的结果,是当今哈尔滨城市娱乐观赏文化的特色表现。
[Abstract]:In the early twentieth Century, the entertainment of Harbin experienced a process from the traditional ornamental pattern to the modern ornamental pattern. This was the result of the identity of the immigrant city and the influence of the foreign culture, the result of the common effect. Its outstanding internal performance was the uninterrupted group consciousness and the continuous strengthening of the body in the entertainment and ornamental. The external manifestation of this change is the diversity and fashion tendency of entertainment and viewing in Harbin's urban life.
On the one hand, because of the special geographical position, the traditional ornamental of Harbin has a strong cultural characteristic of the Guandong. And it has the cultural and entertainment influence caused by the idleness of the immigrant in Guan Zhong, with the cultural trace of the Central Plains. However, because of the status of entertainment in the traditional Chinese society, it is only a kind of subsidiary social activity, which is very big. By chance and randomness, it has not become an independent way of life. The traditional entertainment and ornamental in this period, mainly under the influence of the immigrant culture in the Guan - Guan, the ornamental space is not fixed, the ornamental gaze is casual, there is no strong sense of group consciousness, the derivatives of some year's festival celebrating activities. On the other hand, the Middle East The construction of the railway has made the recreational and ornamental activities of the Russian overseas Chinese entering Harbin gradually, and brought the modernity factor, although the entertainment and ornamental activities of the Russian overseas Chinese are still in the early stage.
With the completion of the railway in the Middle East, and the subsequent opening of the port in Harbin, after the October revolution, a large number of White Russian entered and Harbin's cultural and entertainment viewing has developed well. The Central Plains opera, the western music and the emerging films are flourishing in Harbin. The introduction and development of ornamental elements.
First of all, the theaters of large scale, and the venues for the ornamental performances are becoming more and more specialized. On the stage of various clubs in Nangang and dowli, professional Western concerts are often performed. In the outside world, with the tea garden in 20s, the enthusiasm of the stage is rising, and a large number of special performances are dedicated to the Chinese opera. As a new form of entertainment and ornamental in Nangang, in the form of entertainment, the movie has a sensational social effect. According to statistics, there were 64 movie theaters in Harbin at that time. 13 of them were fixed and long-term theaters of large scale.
The second is the strengthening of the viewing requirements of the body. The strict requirements of the Western concert on the viewing time can be regarded as the origin of the modern ornamental standard in Harbin. With the higher level and grade of the performance of the Central Plains opera in Harbin, the attraction of traditional opera is becoming more and more strict. As Harbin, the traditional opera is becoming more and more strict. Film screenings, following the footsteps of the world's development, gradually get rid of the early juggling nature, and when the content is becoming more serious, the watch and body control of the movie show time is the most modern event.
Finally, after the integration and evolution of this series, the social consensus of the ornamental group has come into being. The basis for the existence of the consensus of the ornamental group is the identification of the choice of the ornamental content. When the Harbin western music performance is becoming more and more elegant and exquisite, and finally comes out of Harbin to the national even global performance, The traditional opera performance in the region is also growing. The modern stage decoration and the new large performance show are increasing. At the same time, the repertoire of modern people's life is shown. The most realistic is the sociality of the film program. Many film films showing the original and ideal life of the people at that time are shown. And welcome.
In my study, I tried to divide recreational activities into four components: audience, theater, spectator and program content. These four parts produced three action products: selective strategy action, receptive strategy action and consensus existence. In the sociological study I do, the change of strategy action at different stages is considered. This leads to the emergence and confirmation of new group consensus, which combines process analysis with structural composition.
This study is no longer only a kind of description and interpretation of social change, but an attempt at a theoretical discussion. The purpose of this attempt is to review the continuation and change of the contemporary entertainment and ornamental structure in Harbin, and the conclusion is the entertainment and ornamental of Harbin. The change of modernity came into being and formed in the twenty generation of twentieth Century. The result of its influence is the characteristics of Harbin's urban entertainment culture.
【学位授予单位】：黑龙江省社会科学院
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J120.9
本文编号：2126587
[Abstract]:In the early twentieth Century, the entertainment of Harbin experienced a process from the traditional ornamental pattern to the modern ornamental pattern. This was the result of the identity of the immigrant city and the influence of the foreign culture, the result of the common effect. Its outstanding internal performance was the uninterrupted group consciousness and the continuous strengthening of the body in the entertainment and ornamental. The external manifestation of this change is the diversity and fashion tendency of entertainment and viewing in Harbin's urban life.
On the one hand, because of the special geographical position, the traditional ornamental of Harbin has a strong cultural characteristic of the Guandong. And it has the cultural and entertainment influence caused by the idleness of the immigrant in Guan Zhong, with the cultural trace of the Central Plains. However, because of the status of entertainment in the traditional Chinese society, it is only a kind of subsidiary social activity, which is very big. By chance and randomness, it has not become an independent way of life. The traditional entertainment and ornamental in this period, mainly under the influence of the immigrant culture in the Guan - Guan, the ornamental space is not fixed, the ornamental gaze is casual, there is no strong sense of group consciousness, the derivatives of some year's festival celebrating activities. On the other hand, the Middle East The construction of the railway has made the recreational and ornamental activities of the Russian overseas Chinese entering Harbin gradually, and brought the modernity factor, although the entertainment and ornamental activities of the Russian overseas Chinese are still in the early stage.
With the completion of the railway in the Middle East, and the subsequent opening of the port in Harbin, after the October revolution, a large number of White Russian entered and Harbin's cultural and entertainment viewing has developed well. The Central Plains opera, the western music and the emerging films are flourishing in Harbin. The introduction and development of ornamental elements.
First of all, the theaters of large scale, and the venues for the ornamental performances are becoming more and more specialized. On the stage of various clubs in Nangang and dowli, professional Western concerts are often performed. In the outside world, with the tea garden in 20s, the enthusiasm of the stage is rising, and a large number of special performances are dedicated to the Chinese opera. As a new form of entertainment and ornamental in Nangang, in the form of entertainment, the movie has a sensational social effect. According to statistics, there were 64 movie theaters in Harbin at that time. 13 of them were fixed and long-term theaters of large scale.
The second is the strengthening of the viewing requirements of the body. The strict requirements of the Western concert on the viewing time can be regarded as the origin of the modern ornamental standard in Harbin. With the higher level and grade of the performance of the Central Plains opera in Harbin, the attraction of traditional opera is becoming more and more strict. As Harbin, the traditional opera is becoming more and more strict. Film screenings, following the footsteps of the world's development, gradually get rid of the early juggling nature, and when the content is becoming more serious, the watch and body control of the movie show time is the most modern event.
Finally, after the integration and evolution of this series, the social consensus of the ornamental group has come into being. The basis for the existence of the consensus of the ornamental group is the identification of the choice of the ornamental content. When the Harbin western music performance is becoming more and more elegant and exquisite, and finally comes out of Harbin to the national even global performance, The traditional opera performance in the region is also growing. The modern stage decoration and the new large performance show are increasing. At the same time, the repertoire of modern people's life is shown. The most realistic is the sociality of the film program. Many film films showing the original and ideal life of the people at that time are shown. And welcome.
In my study, I tried to divide recreational activities into four components: audience, theater, spectator and program content. These four parts produced three action products: selective strategy action, receptive strategy action and consensus existence. In the sociological study I do, the change of strategy action at different stages is considered. This leads to the emergence and confirmation of new group consensus, which combines process analysis with structural composition.
This study is no longer only a kind of description and interpretation of social change, but an attempt at a theoretical discussion. The purpose of this attempt is to review the continuation and change of the contemporary entertainment and ornamental structure in Harbin, and the conclusion is the entertainment and ornamental of Harbin. The change of modernity came into being and formed in the twenty generation of twentieth Century. The result of its influence is the characteristics of Harbin's urban entertainment culture.
【学位授予单位】：黑龙江省社会科学院
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J120.9
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