设计理论的文化之维
发布时间：2018-07-17 08:13
【摘要】： 设计处于开放的文化关系之中。一个设计作品，，有其实存的现实性意义，它总是植根于社会历史与文化之中。这种情况下，设计学科研究尤其需要扩大视野，综合考量，寻求通途，用某种方式把历史的、心理学的、社会学的、美学的等各种不同的观点联结起来。很容易地发现，这种理想的方式，非设计之文化维度莫属。本论文的研究内容是设计的文化维度的基础性理论探讨，重点包括梳理基本涉及的概念以及相互关系，关键问题是：首先思维基础要建立在“扩大认识论”的层面来看待设计理论，消解结构主义背景影响下人类思想中存在着的科学的“独白”式逻辑来单维度谈设计问题和西方古典阐释学影响下的黑格尔“辨证”式逻辑来静止的谈设计问题，笔者站在解构主义思潮或说是后现代语境中产生的接受美学观点，开放性的尊重理解、“对话”式逻辑的立场上来探讨当下在开放的空间中设计之搭档活动哲学。 诚然，当论文不断深入推进，笔者发现此论文也是立足于人文科学逻辑上的设计人类学疆界视域之探讨，也可说是设计艺术治疗学向度的基础论证。
[Abstract]:Design is in an open cultural relationship. A design work, which has realistic meaning, is always rooted in social history and culture. In this case, it is especially necessary to broaden the field of vision, comprehensive consideration, search for a path, in some way to connect the historical, psychological, sociological, aesthetic, and other different points of view. It is easy to see that the ideal way is the cultural dimension of design. The research content of this thesis is the basic theoretical discussion of the cultural dimension of design, including combing the basic concepts involved and the relationship between them. The key question is: first of all, the basis of thinking should be based on the "expanded epistemology" to view design theory. Dispelling the scientific "monologue" logic existing in human thought under the influence of structuralism, to discuss the design problem in single dimension and the Hegel dialectical logic under the influence of western classical hermeneutics to discuss the design problem at rest. The author discusses the philosophy of partner activities in the open space on the basis of the view of reception aesthetics, the open respect and understanding, and the logic of "dialogue" in the context of deconstruction or post-modern context. It is true that when the thesis goes further and further, the author finds that this paper is based on the field of view of design anthropology based on the logic of humanities, and it can also be said to be the basic argument of the direction of design art therapeutics.
【学位授予单位】：西南交通大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J06
本文编号：2129753
[Abstract]:Design is in an open cultural relationship. A design work, which has realistic meaning, is always rooted in social history and culture. In this case, it is especially necessary to broaden the field of vision, comprehensive consideration, search for a path, in some way to connect the historical, psychological, sociological, aesthetic, and other different points of view. It is easy to see that the ideal way is the cultural dimension of design. The research content of this thesis is the basic theoretical discussion of the cultural dimension of design, including combing the basic concepts involved and the relationship between them. The key question is: first of all, the basis of thinking should be based on the "expanded epistemology" to view design theory. Dispelling the scientific "monologue" logic existing in human thought under the influence of structuralism, to discuss the design problem in single dimension and the Hegel dialectical logic under the influence of western classical hermeneutics to discuss the design problem at rest. The author discusses the philosophy of partner activities in the open space on the basis of the view of reception aesthetics, the open respect and understanding, and the logic of "dialogue" in the context of deconstruction or post-modern context. It is true that when the thesis goes further and further, the author finds that this paper is based on the field of view of design anthropology based on the logic of humanities, and it can also be said to be the basic argument of the direction of design art therapeutics.
【学位授予单位】：西南交通大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J06
【引证文献】
相关硕士学位论文 前1条
1 刘帼君;基于文化之维的日用品再设计研究[D];江南大学;2009年
本文编号：2129753
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