文化视角的诗歌意象的传译
发布时间：2018-07-28 20:24
【摘要】： 作为最精练最集中的一种文学形式，诗歌是民族语言的精华和文化的结晶。中国古典诗歌是中国传统文化的集中反映，它蕴藏了丰富的文化内涵。古诗之美，专求意象。精心构筑意象，是中国古典诗歌的一大特色。意象是诗歌的基本内核，意象传译的本质就是要实现不同文化间的交流。古诗英译的优劣，就是看其中意象传译的好坏。意象传译是不同民族之间深层文化交流的重要组成部分。文章尝试从文化视角对诗歌意象的传译进行初步探讨，意在说明怎样保留中国古典诗歌意象的文化风貌和文化韵味，从而更好地促进中西文化的沟通与交流。全文共分为五章。 第一章引言部分，介绍了诗歌意象传译的重要性。意象是诗歌的基本内核，意象传译的本质就是要实现不同文化间的交流。 第二章是文献综述部分。随着翻译研究的深入发展和跨文化交际的日益频繁，越来越多的翻译研究者把研究视角从语言层面转向文化层面。巴斯奈特和勒菲弗尔甚至把文化视为翻译的基本单位，主张文化研究应该转向注重翻译现象的研究。基于翻译研究中此种认识的转变，作者认为诗歌意象传译的本质是一种跨文化交际活动，并提出意象传译的两种基本方法—移植和改写。 第三章阐述了诗歌意象传译中文化因素问题。以中西文学理论中对意象概念的概述为依据，对意象作了定义。接着对中国古典诗歌意象中的文化因素从两个方面展开分析：文化缺失和文化差异。文化缺失指西方对中国古典诗歌文化意象在典故，象征，隐喻，社会风俗等方面的文化理解上的缺失问题；文化差异包括中西意象在形式，，意义，联想上的差异和不同的审美文化。 第四章探论了中国古典诗歌意象传译的两种基本方法：移植、改写。两者均为了在译文中保留源语的文化风貌和韵味，实现跨文化交际的目标。在这两种基本方法的指导下，文章探讨了传译中国古典诗歌中文化意象的四种基本方式：意象的保留，意象的变通，意象的增加，和意象的省略。 第五章是结论部分。移植和改写为中国古典诗歌意象传译提供了新的视角。在全球化的今天，这对于不同民族间的文化交流将会显得越来越重要。
[Abstract]:As the most concise and concentrated form of literature, poetry is the essence of national language and the crystallization of culture. Chinese classical poetry is a concentrated reflection of Chinese traditional culture, which contains rich cultural connotations. The beauty of ancient poetry seeks only images. The careful construction of image is a major feature of Chinese classical poetry. Image is the basic core of poetry, and the essence of image interpretation is to realize the communication between different cultures. The quality of the translation of ancient poetry is to see whether the image is good or bad. Image interpretation is an important part of deep cultural communication among different nationalities. This paper attempts to explore the interpretation of poetic imagery from the perspective of culture in order to explain how to retain the cultural features and cultural charm of the imagery of Chinese classical poetry so as to better promote the communication and communication between Chinese and Western cultures. The full text is divided into five chapters. The first chapter introduces the importance of poetic imagery interpretation. Image is the basic core of poetry, and the essence of image interpretation is to realize the communication between different cultures. The second chapter is the literature review part. With the development of translation studies and the increasing frequency of cross-cultural communication, more and more translation researchers have shifted their perspectives from the linguistic perspective to the cultural level. Basnette and Lefevere even regard culture as the basic unit of translation, arguing that the study of culture should shift to the study of translation phenomenon. Based on this change of cognition in translation studies, the author holds that the essence of poetic image interpretation is a cross-cultural communicative activity, and puts forward two basic methods of image interpretation: transplanting and rewriting. Chapter three deals with the cultural factors in the interpretation of poetic imagery. Based on the outline of the concept of image in Chinese and western literary theory, the definition of image is made. Then it analyzes the cultural factors in the image of Chinese classical poetry from two aspects: cultural deficiency and cultural differences. Cultural deficiency refers to the lack of western cultural understanding of the cultural images of classical Chinese poetry in the aspects of allusions, symbols, metaphors, social customs, etc. The cultural differences include the form and significance of Chinese and Western images, The difference in association and different aesthetic culture. Chapter four discusses two basic methods of image interpretation in classical Chinese poetry: transplantation and rewriting. Both of them aim to preserve the cultural style and charm of the source language and to achieve the goal of cross-cultural communication. Under the guidance of these two basic methods, this paper discusses four basic ways of interpreting cultural images in Chinese classical poetry: the retention of images, the flexibility of images, the increase of images, and the omission of images. Chapter five is the conclusion. Transplantation and rewriting provide a new perspective for image interpretation of Chinese classical poetry. In the globalization of today, this will be more and more important for the cultural exchange between different nationalities.
【学位授予单位】：合肥工业大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：I046;H059
本文编号：2151473
[Abstract]:As the most concise and concentrated form of literature, poetry is the essence of national language and the crystallization of culture. Chinese classical poetry is a concentrated reflection of Chinese traditional culture, which contains rich cultural connotations. The beauty of ancient poetry seeks only images. The careful construction of image is a major feature of Chinese classical poetry. Image is the basic core of poetry, and the essence of image interpretation is to realize the communication between different cultures. The quality of the translation of ancient poetry is to see whether the image is good or bad. Image interpretation is an important part of deep cultural communication among different nationalities. This paper attempts to explore the interpretation of poetic imagery from the perspective of culture in order to explain how to retain the cultural features and cultural charm of the imagery of Chinese classical poetry so as to better promote the communication and communication between Chinese and Western cultures. The full text is divided into five chapters. The first chapter introduces the importance of poetic imagery interpretation. Image is the basic core of poetry, and the essence of image interpretation is to realize the communication between different cultures. The second chapter is the literature review part. With the development of translation studies and the increasing frequency of cross-cultural communication, more and more translation researchers have shifted their perspectives from the linguistic perspective to the cultural level. Basnette and Lefevere even regard culture as the basic unit of translation, arguing that the study of culture should shift to the study of translation phenomenon. Based on this change of cognition in translation studies, the author holds that the essence of poetic image interpretation is a cross-cultural communicative activity, and puts forward two basic methods of image interpretation: transplanting and rewriting. Chapter three deals with the cultural factors in the interpretation of poetic imagery. Based on the outline of the concept of image in Chinese and western literary theory, the definition of image is made. Then it analyzes the cultural factors in the image of Chinese classical poetry from two aspects: cultural deficiency and cultural differences. Cultural deficiency refers to the lack of western cultural understanding of the cultural images of classical Chinese poetry in the aspects of allusions, symbols, metaphors, social customs, etc. The cultural differences include the form and significance of Chinese and Western images, The difference in association and different aesthetic culture. Chapter four discusses two basic methods of image interpretation in classical Chinese poetry: transplantation and rewriting. Both of them aim to preserve the cultural style and charm of the source language and to achieve the goal of cross-cultural communication. Under the guidance of these two basic methods, this paper discusses four basic ways of interpreting cultural images in Chinese classical poetry: the retention of images, the flexibility of images, the increase of images, and the omission of images. Chapter five is the conclusion. Transplantation and rewriting provide a new perspective for image interpretation of Chinese classical poetry. In the globalization of today, this will be more and more important for the cultural exchange between different nationalities.
【学位授予单位】：合肥工业大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：I046;H059
【引证文献】
相关硕士学位论文 前2条
1 甘慧慧;从框架理论看古典诗歌英译中的意象传递[D];长沙理工大学;2010年
2 高明阳;论古典汉诗文化意象的翻译[D];兰州大学;2008年
本文编号：2151473
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