从仪式神圣世界到文学艺术的虚构世界

发布时间：2018-08-09 09:02

【摘要】：劳动实践是文学艺术产生的终极根源,然而,却必须经过原始仪式活动这个中介环节。原始仪式活动是孕育文学艺术的母胎。在仪式活动中,神灵观念的形成,开启了人类真正意义上的精神空间,从而为原始形象符号活动向文学艺术活动演化提供了决定性条件。仪式活动中表演者与观众的分化,仪式活动的集权化、集中化以及泛化,共同促成文学艺术从仪式的神圣世界中分离出来,走向独立。由于神的离去留下了空位,文学艺术就从与"神圣"打交道转而成为与"无"打交道的世界,也即一个不确定的虚构世界,但它仍然遗传了神圣世界的阈限现象,以其虚无和无限化解了种种外在秩序和规范,让人重返自由。文学艺术的虚构世界处在仪式神圣世界与日常生活世界所构成的张力之中,虽然它努力维持着自身的独立性,却不能不受到两者的影响,并因此铸成它的特征及其变化。
[Abstract]:Labor practice is the ultimate root cause of the creation of literature and art. However, it must pass through the intermediate link of primitive ritual activities. The primitive ritual activity is the mother of literature and art. In ritual activities, the formation of the idea of God opens the spiritual space in the true sense of human beings, thus making the activities of the original image symbol to the literary and artistic activities. Evolution provides decisive conditions. In ritual activities, the differentiation of performers and spectators, the centralization of ceremonial activities, centralization and generalization, together contribute to the separation of literature and art from the sacred world of the ritual, to independence. As the departure of God leaves a vacancy, literature and art have changed from "sacred" to "no". The world is also an uncertain fictional world, but it still inherits the threshold of the sacred world, which defuses all kinds of external order and norms with its nihility and infinity to return to freedom. The fictional world of literature and art is in the tension made up of the sacred world of ritual and the world of everyday life, although it endeavours to maintain itself. The independence of the body can not be affected by the two, and hence its characteristics and changes.
【作者单位】：温州大学人文学院;温州大学文艺学研究中心;
【基金】：国家社会科学基金项目“现代、后现代视域中的文学虚构问题研究”[10BZW003]的阶段成果
【分类号】：I04

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