视觉文化语境中电影和文学
发布时间：2018-08-25 11:12
【摘要】： 本文试图在视觉文化这一当下语境中,探讨文学与电影关系的变化及其意义。诸多迹象都已表明视觉文化已经成为社会主导的文化形态。人类文化的传播与交流促进了传播媒介的发展,从而加速了视觉文化的到来;而现代世界观念则为视觉文化的形成提供了必要的思想基础;最终,与消费主义、审美泛化有着千丝万缕的联系的视觉文化取代了语言成为主导文化形态。随着新的文化语境的形成,文学与电影发生了变化。电影成为强势的一方,凭借其媒介的优势吸引大众从阅读到观看,文学改编的电影的大量存在也成为视觉文化兴起的佐证。但电影不可避免得陷入尴尬之境:逼真性既是电影独具的魅力,又是观众混淆真实虚假、现实虚幻的要害。相对来说,文学则弥补了电影的这一缺憾,并因为对现实的疏离在当下视觉文化中具有特殊意义;但同时,文学也不可避免的受到了包括电影在内的视觉文化的冲击。总之,二者的关系在当下变得更加错综复杂。
[Abstract]:This paper attempts to explore the changes and significance of the relationship between literature and film in the present context of visual culture. Many signs have shown that visual culture has become the dominant cultural form. The spread and exchange of human culture has promoted the development of the media and thus accelerated the arrival of visual culture; the modern world concept has provided the necessary ideological basis for the formation of visual culture; finally, with consumerism, The aesthetic generalization of visual culture, which is inextricably linked, has replaced language as the dominant cultural form. With the formation of new cultural context, literature and film have changed. Film has become a strong party, relying on its media advantages to attract the public from reading to watching, literary adaptation of a large number of films also become evidence of the rise of visual culture. But the film inevitably has to fall into an awkward situation: lifelike is not only the unique charm of the film, but also the key point for audience to confuse the real and false, the reality is illusory. On the other hand, literature makes up for this shortcoming of film and has special significance in the present visual culture because of its alienation from reality. But at the same time, literature is inevitably impacted by visual culture, including film. In short, the relationship between the two in the present become more complex.
【学位授予单位】：新疆大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J90;I053
本文编号：2202705
[Abstract]:This paper attempts to explore the changes and significance of the relationship between literature and film in the present context of visual culture. Many signs have shown that visual culture has become the dominant cultural form. The spread and exchange of human culture has promoted the development of the media and thus accelerated the arrival of visual culture; the modern world concept has provided the necessary ideological basis for the formation of visual culture; finally, with consumerism, The aesthetic generalization of visual culture, which is inextricably linked, has replaced language as the dominant cultural form. With the formation of new cultural context, literature and film have changed. Film has become a strong party, relying on its media advantages to attract the public from reading to watching, literary adaptation of a large number of films also become evidence of the rise of visual culture. But the film inevitably has to fall into an awkward situation: lifelike is not only the unique charm of the film, but also the key point for audience to confuse the real and false, the reality is illusory. On the other hand, literature makes up for this shortcoming of film and has special significance in the present visual culture because of its alienation from reality. But at the same time, literature is inevitably impacted by visual culture, including film. In short, the relationship between the two in the present become more complex.
【学位授予单位】：新疆大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J90;I053
【参考文献】
相关期刊论文 前2条
1 朱国华;电影:文学的终结者?[J];文学评论;2003年02期
2 金惠敏;趋零距离与文学的当前危机——“第二媒介时代”的文学和文学研究[J];文学评论;2004年02期
，本文编号：2202705
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