论艺术之本在于“审美形式”
发布时间：2018-08-25 16:14
【摘要】： “形式”概念是涉及到艺术本质的重要概念,形式作为艺术中形成非功利性特质的因素,被认为是艺术之本。传统对于形式的研究多从艺术语言、表现技巧的角度关注艺术的结构问题。可以说基本上属于技术问题。然而作为具有超越和解放性本质的艺术,其内部的单纯形式因素并不足以构成与现实维度相对抗的审美维度。审美性问题不能简单地归到对艺术语言、技巧的探讨领域当中,而需要将眼光重新回归于社会历史功利性内容当中去。因此我们更多地是从艺术作为“审美形式”这一艺术哲学的本体论层面来运用“形式”这个概念。审美形式是一个范畴,是包括了从现实中被抽象提取的功利性内容在内、又最终超越于它的一个自足完整的具有自身理性规则的形象体系。形式成为一种思维,一种存在。我们所采取的是多学科交融和多角度审视的方法来打破旧有的观照形式的条框,使得形式问题不仅仅是一个纯艺术的问题,而且成为构成本体论问题的一部分。
[Abstract]:The concept of "form" is an important concept related to the essence of art. As a factor of non-utilitarian character in art, form is regarded as the foundation of art. Traditional studies on form focus on the structure of art from the point of view of artistic language and performance skills. Can say basically belong to technical problem. However, as a transcendental and liberating nature of art, its internal pure form factor is not enough to form an aesthetic dimension that confronts the realistic dimension. Aesthetic problems can not simply be classified into the field of artistic language and skills, but need to return to the social and historical utilitarian content. Therefore, we use the concept of "form" more from the ontological aspect of art philosophy as "aesthetic form". Aesthetic form is a category, including the utilitarian content abstracted from reality, and finally transcends it a self-sufficient and complete image system with its own rational rules. Form becomes a kind of thinking, a kind of existence. We adopt a multi-disciplinary and multi-angle approach to break the old frame of the form of reflection, so that the formal problem is not only a purely artistic problem, but also a part of the ontological problem.
【学位授予单位】：吉林大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J01
本文编号：2203441
[Abstract]:The concept of "form" is an important concept related to the essence of art. As a factor of non-utilitarian character in art, form is regarded as the foundation of art. Traditional studies on form focus on the structure of art from the point of view of artistic language and performance skills. Can say basically belong to technical problem. However, as a transcendental and liberating nature of art, its internal pure form factor is not enough to form an aesthetic dimension that confronts the realistic dimension. Aesthetic problems can not simply be classified into the field of artistic language and skills, but need to return to the social and historical utilitarian content. Therefore, we use the concept of "form" more from the ontological aspect of art philosophy as "aesthetic form". Aesthetic form is a category, including the utilitarian content abstracted from reality, and finally transcends it a self-sufficient and complete image system with its own rational rules. Form becomes a kind of thinking, a kind of existence. We adopt a multi-disciplinary and multi-angle approach to break the old frame of the form of reflection, so that the formal problem is not only a purely artistic problem, but also a part of the ontological problem.
【学位授予单位】：吉林大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J01
【引证文献】
相关期刊论文 前1条
1 王丽华;;黑色幽默的艺术特点及对中国文学的影响[J];边疆经济与文化;2012年05期
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