鲁迅与韩国作家玄镇健小说中新知识分子形象之比较
发布时间：2018-09-03 10:48
【摘要】： 上个世纪初20年代的中国和韩国,鲁迅与玄镇健的短篇小说创作都取得了傲人的成绩。特别是他们的农民题材与新知识分子题材小说的创作更是贴近了当时的现实生活,反映了当时的社会现状。 两个国家接受“西方现代文明”时,都处在新旧文明交替夹缝中,两国新知识份子们承受着来自社会与自身内心的多重压力。社会扼杀旧思想的叛逆者使他们无处藏身,而种种挫折又造成了新知识分子们内心的孤独。与此同时也有着那么一部分人披着新文化的外衣做着龌龊的勾当,也有人仅仅是沉迷于新思想者们的生活形式。 当新知识份子们面对这种来自多方面的各种压力选择退却时,退却又在两位作家的笔下有着截然不同的演绎。鲁迅的笔下新知识分子们当遇到了阻碍时所选择的更多的是倒向自己启蒙思想的另一面。而在玄镇健的笔下,新知识分子们所选择的却是以酒色麻痹自己,拒绝与现实对面。 在对鲁迅与玄镇健短篇小说中的新知识分子形象的研究中,我们首先对两位作家的家庭背景与社会历史背景作了对比。在比较中韩两国新知识分子的不同追求时,明确了新知识分子的概念,阐释了新知识分子的含义。比较分析了新知识分子们所承受的来自外部与内部的各种压力,以及他们在面对种种压力时的不同选择。从小说创作手法上对两位作家所采用的叙述手法进行研究,从多种叙事视角以及小说叙述的聚焦点等方面做了比较。对两位作家短篇小说创作中,由新知识分子这一形象所反映出来的问题作了一个概括性的总结。 论文旨在通过上述研究来揭示两位作家短篇小说创作中,新知识分子形象塑造的共同性与差异性,研究人物形象塑造与社会环境以及作者之间的关系,希望借此能促进中韩比较文学中新知识分子形象的比较研究。
[Abstract]:In China and South Korea in the early 1920s, Lu Xun and Hyun-jin-Jian's short-story creation achieved remarkable results. Especially, their novels about peasants and new intellectuals are close to the real life of that time and reflect the current situation of society at that time. When the two countries accepted the "Western modern civilization", they were in the gap between the old and the new civilizations, and the new intellectuals of the two countries were under many pressures from the society and their own hearts. The rebels who strangled the old thought made them nowhere to hide, and the frustrations caused the loneliness of the new intellectuals. At the same time, there are some people dressed in the clothes of the new culture doing dirty activities, others are simply addicted to the new thinkers' life forms. When the new intellectuals choose to retreat in the face of all kinds of pressures from all sides, retreat has a very different interpretation in the works of the two writers. Lu Xun's new intellectuals choose to turn to the other side of their enlightenment thought when they encounter obstacles. In Xuanzhen Jian's writings, the new intellectuals chose to paralyze themselves with alcohol and refused to face reality. In the study of the image of new intellectuals in Lu Xun and Xuanzhen Jian's short stories, we first compare the family background with the social historical background of the two writers. In comparing the different pursuits of the new intellectuals in China and South Korea, this paper clarifies the concept of the new intellectuals and explains the meaning of the new intellectuals. This paper compares and analyzes all kinds of external and internal pressures faced by the new intellectuals and their different choices in the face of all kinds of pressures. This paper makes a study on the narrative techniques adopted by the two writers from the point of view of novel creation, and compares them from various narrative perspectives and the focus of the novel narration. This paper makes a general summary of the problems reflected by the image of the new intellectuals in the creation of short stories by the two writers. The purpose of this paper is to reveal the commonality and difference of the image of the new intellectuals in the short story creation of the two writers, and to study the relationship between the portrayal of the characters and the social environment as well as the author. The author hopes to promote the comparative study of the image of new intellectuals in Chinese and Korean comparative literature.
【学位授予单位】：延边大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：I106.4;I0-03
[Abstract]:In China and South Korea in the early 1920s, Lu Xun and Hyun-jin-Jian's short-story creation achieved remarkable results. Especially, their novels about peasants and new intellectuals are close to the real life of that time and reflect the current situation of society at that time. When the two countries accepted the "Western modern civilization", they were in the gap between the old and the new civilizations, and the new intellectuals of the two countries were under many pressures from the society and their own hearts. The rebels who strangled the old thought made them nowhere to hide, and the frustrations caused the loneliness of the new intellectuals. At the same time, there are some people dressed in the clothes of the new culture doing dirty activities, others are simply addicted to the new thinkers' life forms. When the new intellectuals choose to retreat in the face of all kinds of pressures from all sides, retreat has a very different interpretation in the works of the two writers. Lu Xun's new intellectuals choose to turn to the other side of their enlightenment thought when they encounter obstacles. In Xuanzhen Jian's writings, the new intellectuals chose to paralyze themselves with alcohol and refused to face reality. In the study of the image of new intellectuals in Lu Xun and Xuanzhen Jian's short stories, we first compare the family background with the social historical background of the two writers. In comparing the different pursuits of the new intellectuals in China and South Korea, this paper clarifies the concept of the new intellectuals and explains the meaning of the new intellectuals. This paper compares and analyzes all kinds of external and internal pressures faced by the new intellectuals and their different choices in the face of all kinds of pressures. This paper makes a study on the narrative techniques adopted by the two writers from the point of view of novel creation, and compares them from various narrative perspectives and the focus of the novel narration. This paper makes a general summary of the problems reflected by the image of the new intellectuals in the creation of short stories by the two writers. The purpose of this paper is to reveal the commonality and difference of the image of the new intellectuals in the short story creation of the two writers, and to study the relationship between the portrayal of the characters and the social environment as well as the author. The author hopes to promote the comparative study of the image of new intellectuals in Chinese and Korean comparative literature.
【学位授予单位】：延边大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：I106.4;I0-03
【共引文献】
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