袁枚性灵说之美学研究
发布时间：2018-11-05 20:27
【摘要】：袁枚是性灵理论的集大成者。他是清代中叶最富有个性和才情的文学家,诗居“乾嘉三大家”之首。他和他的“性灵说”风靡一时,实际上夺了当时诗坛正宗“格调”派及“神韵”派的席位。他的以关注人的存在与人的个性为特征的文学创作和文学理论,具有一种历史的进步意义。 本文主要从美学的角度切入,以通读袁枚原著为基础,用社会历史的方法对其性灵说进行整体观照。本文分引言、四章和结语六部分。第一章首先考察了袁枚“性灵说”美学思想形成的历史渊源和理论渊源,从政治、经济、文化三个方面论述了“性灵说”产生的时代背景以及“性灵”的语义思想;文章第二、三、四章阐释了其“性灵说”的内涵:真情论、个性论和诗才论,“性灵说”内涵的核心因素就是强调性情,特别是真情,袁枚认为诗歌创作的根本就是表现性情,诗人之情不但要真,还要有个性,袁枚身上充溢着鲜明强烈的个性主义色彩,其个性论在创作上的体现就是要求“著我”,同时,袁枚又认为,并不是诗人有真情、有个性就可以进行写作,他还必须具备表现性灵的诗才,能自然有如“天籁”地描写出富于生气的形象,以生动地抒写性灵;文章最后在结语部分评述了其思想的价值意义和影响,袁枚的诗歌创作和理论,以普通人和平凡生活作为审美对象,表现了一种以人性美为核心的世俗、市井的美,它代表着一种新的美学观念和追求。本文力图对袁枚的思想进行多视角、多层次的深入探讨,尽量作出符合实际并体现当代特征的阐释和评论。袁枚的美学思想,至今仍然闪烁着理论的光芒,照耀着我们今天研究美学、关注现实的脚步。
[Abstract]:Yuan Mei is the master of the spirit theory. He was the most individual and talented writer in the middle of Qing Dynasty. He and his "spirit theory" were all the rage, which actually took the seats of "style" and "verve" in the poetic world at that time. His literary creation and literary theory, characterized by concern for the existence and individuality of human beings, have a historical and progressive significance. This article mainly from the angle of aesthetics, read Yuan Mei's original works as the basis, with the method of social history of the overall view of the spirit of his theory. This article is divided into the introduction, four chapters and the conclusion six parts. The first chapter investigates the historical origin and theoretical origin of Yuan Mei's aesthetic thought of "the spirit of nature", and discusses the background of the generation of "the theory of the spirit of nature" and the semantic thought of "the spirit of nature" from three aspects: politics, economy and culture. The second, third, and fourth chapters explain the connotation of his "spirit of nature": truth theory, personality theory and poetic talent theory. The core factor of the connotation of "spirit theory" is to emphasize temperament, especially truth. Yuan Mei thinks that the essence of poetry creation is to express temperament. The poet's feeling is not only true, but also individual. Yuan Mei is filled with distinct and strong individualism, and his personality theory is embodied in his creation by asking for "I". At the same time, Yuan Mei thinks that it is not the poet who has true feelings. If he has personality, he can write, he must also have the ability to express the spirit of poetry, can naturally describe the vivid image as "music of nature", in order to vividly express the spirit; In the last part of the article, the author comments on the value and influence of his thoughts, Yuan Mei's poetry creation and theory, taking ordinary people and ordinary life as aesthetic objects, showing a kind of secular beauty with the core of human nature and the beauty of the market. It represents a new aesthetic concept and pursuit. This paper tries to explore Yuan Mei's thoughts from different angles and levels, and try his best to make explanations and comments that accord with the reality and reflect the contemporary characteristics. Yuan Mei's aesthetic thought is still shining with the light of theory, which illuminates our research on aesthetics today and pays close attention to reality.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：I01
本文编号：2313354
[Abstract]:Yuan Mei is the master of the spirit theory. He was the most individual and talented writer in the middle of Qing Dynasty. He and his "spirit theory" were all the rage, which actually took the seats of "style" and "verve" in the poetic world at that time. His literary creation and literary theory, characterized by concern for the existence and individuality of human beings, have a historical and progressive significance. This article mainly from the angle of aesthetics, read Yuan Mei's original works as the basis, with the method of social history of the overall view of the spirit of his theory. This article is divided into the introduction, four chapters and the conclusion six parts. The first chapter investigates the historical origin and theoretical origin of Yuan Mei's aesthetic thought of "the spirit of nature", and discusses the background of the generation of "the theory of the spirit of nature" and the semantic thought of "the spirit of nature" from three aspects: politics, economy and culture. The second, third, and fourth chapters explain the connotation of his "spirit of nature": truth theory, personality theory and poetic talent theory. The core factor of the connotation of "spirit theory" is to emphasize temperament, especially truth. Yuan Mei thinks that the essence of poetry creation is to express temperament. The poet's feeling is not only true, but also individual. Yuan Mei is filled with distinct and strong individualism, and his personality theory is embodied in his creation by asking for "I". At the same time, Yuan Mei thinks that it is not the poet who has true feelings. If he has personality, he can write, he must also have the ability to express the spirit of poetry, can naturally describe the vivid image as "music of nature", in order to vividly express the spirit; In the last part of the article, the author comments on the value and influence of his thoughts, Yuan Mei's poetry creation and theory, taking ordinary people and ordinary life as aesthetic objects, showing a kind of secular beauty with the core of human nature and the beauty of the market. It represents a new aesthetic concept and pursuit. This paper tries to explore Yuan Mei's thoughts from different angles and levels, and try his best to make explanations and comments that accord with the reality and reflect the contemporary characteristics. Yuan Mei's aesthetic thought is still shining with the light of theory, which illuminates our research on aesthetics today and pays close attention to reality.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：I01
【引证文献】
相关硕士学位论文 前2条
1 杨晶;公安派“性灵说”的内容及美学特征[D];延边大学;2011年
2 杜兴武;晚明文言小说研究[D];湖南师范大学;2012年
，本文编号：2313354
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