梁平民间艺术的文化生态研究
发布时间：2018-11-13 11:48
【摘要】： “美”是普世价值观中重要的一极，但作为社会科学研究成果的本文，关注的是所谓美的发生机制；民间艺术是传统文化的表征，关注民间艺术涉及到一个更加宏大的主旨——在文化多元共生中的全球语境中确立自我；本文以民间艺术之美为基点，其实表明的是研究者对知识分子话语权的所谓“公共关怀”。 本文不堆积材料，不以归纳的思路作所谓传统意义上的美学思考，不作物质层面上浅显可见的比照和呈现，无意于民间艺术的具体形态和风格样式，而是在艺术与环境(文化生态)间探寻其深邃的精神内联。所以，本文刻意回避了文化生态中经济、物产、交通等寻常因素，而把视点锁定在了宗教和竹在文化心态和人格上的“情绪沉淀”。作者相信，作为民间艺术创造者的民众的情绪样态才是其艺术风格的最重要成因。那么，宗教能够缔造怎样的人格，而山川形貌中的重要物产和景观——竹又是怎样通过沉积于集体意识而最终决定艺术的风貌的呢?同时，本文并不就这一问题做出信誓旦旦貌似真理的回答，，而是权当带有审美性质的人类学写作。
[Abstract]:"Beauty" is an important pole in the universal values, but as a result of social science research, this paper focuses on the mechanism of the so-called beauty. Folk art is the representation of traditional culture, and paying attention to folk art involves a larger purposive-to establish oneself in the global context of cultural diversity and symbiosis; Based on the beauty of folk art, this paper shows the so-called "public concern" of the intellectual's right of speech. This article does not pile up materials, does not use inductive thinking as the so-called traditional sense of aesthetic thinking, does not make material level visible comparison and presentation, no intention of the specific form and style of folk art. It is to explore its profound spiritual inline between art and environment (cultural ecology). Therefore, this paper deliberately avoids the common factors such as economy, property, transportation and so on in the cultural ecology, but focuses on the "emotional precipitation" of religion and bamboo in their cultural mentality and personality. The author believes that the mood of the people as the creators of folk art is the most important cause of their artistic style. So what kind of personality can religion create, and how does bamboo, an important product and landscape of mountains and rivers, ultimately determine the style of art by depositing it in collective consciousness? At the same time, this paper does not give an answer to this question, but anthropological writing with aesthetic nature.
【学位授予单位】：四川大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J120
[Abstract]:"Beauty" is an important pole in the universal values, but as a result of social science research, this paper focuses on the mechanism of the so-called beauty. Folk art is the representation of traditional culture, and paying attention to folk art involves a larger purposive-to establish oneself in the global context of cultural diversity and symbiosis; Based on the beauty of folk art, this paper shows the so-called "public concern" of the intellectual's right of speech. This article does not pile up materials, does not use inductive thinking as the so-called traditional sense of aesthetic thinking, does not make material level visible comparison and presentation, no intention of the specific form and style of folk art. It is to explore its profound spiritual inline between art and environment (cultural ecology). Therefore, this paper deliberately avoids the common factors such as economy, property, transportation and so on in the cultural ecology, but focuses on the "emotional precipitation" of religion and bamboo in their cultural mentality and personality. The author believes that the mood of the people as the creators of folk art is the most important cause of their artistic style. So what kind of personality can religion create, and how does bamboo, an important product and landscape of mountains and rivers, ultimately determine the style of art by depositing it in collective consciousness? At the same time, this paper does not give an answer to this question, but anthropological writing with aesthetic nature.
【学位授予单位】：四川大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J120
【相似文献】
相关期刊论文 前10条
1 ;中W ·
本文编号：2329023
本文链接：https://www.wllwen.com/wenyilunwen/wenxuell/2329023.html
