艺术的政治化:重读本雅明的先锋理论批评

发布时间：2018-11-20 15:02

【摘要】：在对先锋派的理论批评中,本雅明把马克思主义和感官知觉联系起来,发展出一种具有独特先锋意义的"艺术的政治化"批评模型。本雅明肯定了先锋派的形式革新及其颠覆资产阶级文化霸权的力量,但是他认为先锋派未能摆脱静观大众的生产,因此如何摆脱静观大众的生产、如何积聚集体的革命能量成为本雅明先锋派理论批评的主题。本雅明提出艺术家在现代文化生产中必须努力革新媒介形式和技巧,以消除艺术家和无产者大众之间的界限。他试图说明艺术家在现代生产条件下如何定位自身实际成为艺术政治化的关键问题。本雅明强调现代技术不仅改变了艺术的媒介形式,而且改变了无产者大众的感知,因此艺术的政治化意味着艺术必须满足大众感知的需要,改变大众的感知和接受态度,从而生产出革命的大众。
[Abstract]:In the theoretical criticism of the avant-garde, Benjamin links Marxism with sensory perception, and develops a unique avant-garde "artistic politicization" criticism model. Benjamin affirmed the revolutionary form of the avant-garde and its power to subvert the cultural hegemony of the bourgeoisie, but he believed that the avant-garde could not get rid of the production of the masses, so how to get rid of the production of the masses? How to accumulate the collective revolutionary energy has become the theme of the theoretical criticism of Benjamin's avant-garde. Benjamin suggested that artists must strive to innovate media forms and techniques in modern cultural production in order to eliminate the boundary between artists and the proletarian masses. He tried to explain how artists can position themselves in modern production conditions and become the key problem of art politicization. Benjamin stressed that modern technology has not only changed the media form of art, but also the perception of the proletarian, so the politicization of art means that art must meet the needs of public perception and change the perception and acceptance attitude of the masses. Thus producing revolutionary masses.
【作者单位】：江苏教育学院外语系;
【基金】：江苏省“青蓝工程”人才培养项目的阶段性成果
【分类号】：J0-02

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