现象学直观及其对文学本体论研究的启示与意义

发布时间：2018-11-22 08:56

【摘要】： “现象学直观”作为二十世纪最重要的哲学思想之一——现象学——的中心概念极具创见性，因其力图突破近代哲学传统认识论框架——即突破那种将直观视为只能将个别之物作为自己考察对象的认识，从而在二十世纪的人文学科中产生了意义深远的影响。本文分成两大部分，，第一部分主要是从两个维度展开对“现象学直观”的清理工作：首先，从现象学在态度方法上表现出的内在同一性的角度——即“直观的现象学”出发，考察作为现象学普遍原则的直观及其为知识寻求合法性基础的“直观明证性”；其次，从现象学内容上表现出的具体差异性的角度——即“现象学的直观”出发，考察现象学家们(主要是胡塞尔和海德格尔)对“直观”予以的不同理解。本文第二部分则是应用第一部分对现象学直观的清理结果来考察其对文学本体论研究的启示与意义，其具体表现在两个方面：首先是胡塞尔和海德格尔对直观的不同理解为文学本体论研究开启了两条相异的思维进路，并由此形成了两种现象学文学本体论研究的模式；其次是作为现象学普遍原则的直观为文学本体论研究铸就有效性，并为文学本体论诸研究提供检验知识合法性的最终理据。本文从现象学直观出发，在对中国二十世纪八十年代中期至今的文学本体论诸研究简要梳理的基础上，指出了文学本体论研究在今天这样一个充斥着解构强音的时代大潮中，有其存在的合理性和必要性。同时，笔者指出，对文学本体进行研究并不是一劳永逸的事情，但对其的不断追问将引我们在思的路上前行……
[Abstract]:As one of the most important philosophical thoughts of the 20th century, the central concept of "phenomenological intuition" is very creative. Because of its efforts to break through the traditional epistemological framework of modern philosophy, that is, to break through the understanding that intuition can only be regarded as the object of its own investigation, it has had a far-reaching impact in the humanities of the 20th century. This paper is divided into two parts. The first part is to clean up the "phenomenological intuition" from two dimensions: first, from the perspective of the intrinsic identity of phenomenology in attitude and method, that is, "intuitive phenomenology". To examine the intuitionism as a universal principle of phenomenology and its "intuitionistic proof" for seeking the basis of legitimacy for knowledge; Secondly, from the point of view of the concrete difference in phenomenological content, that is, "the intuition of phenomenology", this paper examines the different understandings given to "intuition" by phenomenologists (mainly Husserl and Heidegger). The second part of this paper is to use the first part of the visual results of phenomenology to investigate its inspiration and significance to the study of literary ontology. It is manifested in two aspects: firstly, Husserl and Heidegger's different understanding of intuitionism opens two different ways of thinking in the study of literary ontology, and thus forms two models of phenomenological literary ontology research; Secondly, as a universal principle of phenomenology, intuition makes the study of literary ontology effective, and provides the ultimate basis for the study of literary ontology to test the legitimacy of knowledge. Based on a brief review of the studies of literary ontology in China since the mid-1980s, this paper points out that the study of literary ontology is in the tide of such an era of deconstruction and strong tone. There is the rationality and necessity of its existence. At the same time, the author points out that the study of literary Noumenon is not a once and for all thing, but the constant questioning of it will lead us to advance on the way of thinking.
【学位授予单位】：四川大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：I0

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