民族文化政策下的兵团民间艺术保护研究
发布时间：2018-12-11 16:39
【摘要】：新疆生产建设兵团是一支由军旅人员、转业军人、支边青年、志愿者等组建成的屯垦戍边、亦军亦农的准军事化组织。长期生活在兵团土地上的战士、职工群众，在守土戍边、开拓创业的生产劳动和生活实践中，集体创造了反映兵团屯垦戍边生活的民间艺术。军垦战士在继承部队文化传统的同时，将原籍文化与新疆本土民族的风俗习惯、民歌民曲、审美情趣相结合，赋予传统民间艺术新的生命，将其传承、创新、发展成兵团特色的民间艺术。从国家民族文化政策视角，研究民族文化政策引领、实施对兵团民间艺术的形成发展的影响作用，探讨非遗法对兵团民间艺术保护的指导意义；分析兵团军垦特色的民间艺术代表性作品及其价值，意在解决为什么要保护的理论问题；针对传承中存在的问题，寻求解决怎样保护的实践问题，提出了切实可行的政策保护和法律保护的主要路径。这对兵团文化认同，传承兵团文化和弘扬兵团精神都有着重要的理论意义和现实意义。全文分为六部分阐述，具体如下： 第一部分，绪论。总体概括、评述本选题的国内外背景、研究动态，以相关理论成果为基础，阐明论文的研究对象、研究目的及研究意义和方法，为论文写作打下理论根基。 第二部分，民族文化政策与兵团民间艺术。学习、运用学界对“文化”、“民族文化政策”等概念的界定，进一步认识本文要探讨的民族文化政策与兵团民间艺术，进而表明我国民族文化政策与兵团民间艺术的关系的观点：民族文化政策目标引领兵团民间艺术发展方向；兵团民间艺术在民族文化政策指导下健康发展。以此为下文做理论铺垫。 第三部分，民族文化政策指导下的兵团民间艺术。本章以时间为线索，纵向梳理、分析不同时期的民族文化政策对兵团民间艺术的形成发展、传承创新带来了机遇，认为非遗法的颁布实施对兵团民间艺术保护具有指导意义，以紧扣民族文化政策视角下研究兵团民间艺术思路。 第四部分，兵团军垦特色的民间艺术代表性作品及价值分析。本章在实地调研基础上，重点对国家级、兵团级具有军垦特色的非遗代表作名录屯垦小曲子戏、眉户（迷糊戏）、现代套彩烙画、军垦鼓艺、剪纸等描述、分析，探寻传承人的生活世界及其艺术作品中军垦文化内涵的挖掘及其价值意义，以解决为什么要保护及保护的意义所在。 第五部分，兵团民间艺术传承现状及其保护。通过调研，概述兵团民间艺术传承现状，针对传承中存在的问题理出四点主要原因进行分析，探讨兵团民间艺术保护的政策和法律思考，寻求解决怎样保护的实践问题，提出了切实可行的政策保护和法律保护的主要路径。 第六部分，结语。总结出本文主要论点，得出的结论以及创新点，，明确创造性成果在本领域的意义。
[Abstract]:The Xinjiang production and Construction Corps is a quasi-militarized organization formed by military personnel, demobilized servicemen, youth, volunteers and so on. The soldiers and workers who have lived on the land of the Corps for a long time, in the production, labor and life practice of guarding the soil and guarding the frontier and pioneering businesses, have collectively created folk art that reflects the life of the Corps in opening up, reclamation, and guarding the frontier. While inheriting the cultural traditions of the armed forces, the military reclamation soldiers combine their native culture with the customs, folk songs, and aesthetic interests of the native nationalities in Xinjiang, so as to give new life to the traditional folk art, pass it on and innovate it. Develop the folk art characteristic of the Corps. From the perspective of national cultural policy, this paper studies the influence of national cultural policy on the formation and development of bingtuan folk art, and probes into the guiding significance of non-posthumous law to the protection of bingtuan folk art. This paper analyzes the representative works of folk art with the characteristics of military reclamation and their value in order to solve the theoretical problem of why to protect. In view of the problems existing in inheritance, this paper seeks to solve the practical problem of how to protect, and puts forward the main path of practical policy protection and legal protection. This is of great theoretical and practical significance to the cultural identity of the Corps, the transmission of the culture of the Corps and the promotion of the spirit of the Corps. The full text is divided into six parts, as follows: the first part, introduction. In general, the background and research trends of this topic are reviewed, and the research object, purpose, significance and method of the thesis are expounded based on the relevant theoretical achievements, thus laying a theoretical foundation for the writing of the thesis. The second part, national culture policy and bingtuan folk art. Study, use academic circles to "culture", "national culture policy" and other concepts, further understanding this article to explore the national cultural policy and bingtuan folk art, Furthermore, this paper points out the relationship between the national cultural policy and the folk art of the Corps: the goal of the national culture policy leads the development direction of the folk art of the Corps; The bingtuan folk art develops healthily under the guidance of national culture policy. This is the theoretical foundation for the following. The third part, the folk art under the guidance of national culture policy. This chapter takes time as the clue, vertically combs, analyzes the different period national culture policy to the bingtuan folk art formation development, the inheritance and the innovation has brought the opportunity, believed that the non-inheritance law promulgates the implementation to the bingtuan folk art protection has the instruction significance, This paper studies the ideas of bingtuan folk art from the perspective of national cultural policy. The fourth part, the representative works of folk art and value analysis of bingtuan army reclamation characteristic. On the basis of field investigation and investigation, this chapter focuses on the description and analysis of national and regiment level non-relic masterpieces, such as small tunes, eyebrow (maze play), modern color painting, military reclamation and drum art, paper-cut, etc. This paper explores the cultural connotation of military reclamation and its value meaning in inheriting the life world of human beings and their works of art in order to solve the significance of why to protect and protect. The fifth part, the present situation and protection of folk art inheritance. Through investigation and investigation, this paper summarizes the present situation of folk art inheritance in Bingtuan, analyzes the four main reasons for the problems existing in the inheritance, probes into the policy and legal considerations for the protection of folk art in the Corps, and seeks to solve the practical problems of how to protect it. Put forward the feasible policy protection and the main path of legal protection. The sixth part, conclusion. This paper summarizes the main arguments, conclusions and innovation points, to clarify the significance of creative results in this field.
【学位授予单位】：石河子大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：D633;G127;J0
本文编号：2372881
[Abstract]:The Xinjiang production and Construction Corps is a quasi-militarized organization formed by military personnel, demobilized servicemen, youth, volunteers and so on. The soldiers and workers who have lived on the land of the Corps for a long time, in the production, labor and life practice of guarding the soil and guarding the frontier and pioneering businesses, have collectively created folk art that reflects the life of the Corps in opening up, reclamation, and guarding the frontier. While inheriting the cultural traditions of the armed forces, the military reclamation soldiers combine their native culture with the customs, folk songs, and aesthetic interests of the native nationalities in Xinjiang, so as to give new life to the traditional folk art, pass it on and innovate it. Develop the folk art characteristic of the Corps. From the perspective of national cultural policy, this paper studies the influence of national cultural policy on the formation and development of bingtuan folk art, and probes into the guiding significance of non-posthumous law to the protection of bingtuan folk art. This paper analyzes the representative works of folk art with the characteristics of military reclamation and their value in order to solve the theoretical problem of why to protect. In view of the problems existing in inheritance, this paper seeks to solve the practical problem of how to protect, and puts forward the main path of practical policy protection and legal protection. This is of great theoretical and practical significance to the cultural identity of the Corps, the transmission of the culture of the Corps and the promotion of the spirit of the Corps. The full text is divided into six parts, as follows: the first part, introduction. In general, the background and research trends of this topic are reviewed, and the research object, purpose, significance and method of the thesis are expounded based on the relevant theoretical achievements, thus laying a theoretical foundation for the writing of the thesis. The second part, national culture policy and bingtuan folk art. Study, use academic circles to "culture", "national culture policy" and other concepts, further understanding this article to explore the national cultural policy and bingtuan folk art, Furthermore, this paper points out the relationship between the national cultural policy and the folk art of the Corps: the goal of the national culture policy leads the development direction of the folk art of the Corps; The bingtuan folk art develops healthily under the guidance of national culture policy. This is the theoretical foundation for the following. The third part, the folk art under the guidance of national culture policy. This chapter takes time as the clue, vertically combs, analyzes the different period national culture policy to the bingtuan folk art formation development, the inheritance and the innovation has brought the opportunity, believed that the non-inheritance law promulgates the implementation to the bingtuan folk art protection has the instruction significance, This paper studies the ideas of bingtuan folk art from the perspective of national cultural policy. The fourth part, the representative works of folk art and value analysis of bingtuan army reclamation characteristic. On the basis of field investigation and investigation, this chapter focuses on the description and analysis of national and regiment level non-relic masterpieces, such as small tunes, eyebrow (maze play), modern color painting, military reclamation and drum art, paper-cut, etc. This paper explores the cultural connotation of military reclamation and its value meaning in inheriting the life world of human beings and their works of art in order to solve the significance of why to protect and protect. The fifth part, the present situation and protection of folk art inheritance. Through investigation and investigation, this paper summarizes the present situation of folk art inheritance in Bingtuan, analyzes the four main reasons for the problems existing in the inheritance, probes into the policy and legal considerations for the protection of folk art in the Corps, and seeks to solve the practical problems of how to protect it. Put forward the feasible policy protection and the main path of legal protection. The sixth part, conclusion. This paper summarizes the main arguments, conclusions and innovation points, to clarify the significance of creative results in this field.
【学位授予单位】：石河子大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：D633;G127;J0
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