主体间性视阈下的民族文化

发布时间：2019-01-18 13:52

【摘要】： 继20世纪80年代文学主体性大讨论之后,我国主体间性理论的发展有了重大突破。这一方面归功于大量西方主体间性理论的译介,另一方面是国内学者对该理论的探讨以及解决实际问题的努力。主体间性理论的出现有自身发展的必然逻辑。主体间性理论在西方客体性哲学-美学和西方主体性哲学-美学的基础上产生,是对主体性哲学-美学的反思与超越。主体间性理论的核心说到底还是主体性问题,所以主体间性不是反主体性,而是注重和强调主体之间的交互关系。既然如此,与主体自我相对的他者就必须置于与主体平等对话、相互交流的地位。他者是自我意识产生的必要条件,只有主体与客体、自我与他者和谐相处,主体才能成为真正自由的主体,世界也才能成为真正的人的世界。巴赫金的狂欢化诗学和对话理论是主体间性理论的重要组成部分,对于我们处理文化、种族、社会矛盾冲突具有重要价值。在当今世界话语权不平等的普遍状态下,每个弱势群体都梦寐以求获得话语权力与身份认同。大众文化、民间文化与精英文化、官方文化之间充满矛盾、冲突与交融。运用巴赫金的理论透视世界文化现状,可以发现中心话语与非中心话语、精英与大众等话语形态与价值体系的界线并非泾渭分明,而是呈现出你中有我、我中有你、同时共存、相辅相成的关系。中国传统文化“和而不同”的思想与主体间性哲学-美学有许多精神契合之处,它们在尊重差异、主张多元的同时可以达到多元共存、和谐互补的融会统一。因此,吸纳当前的主体间性理论,弘扬中国传统文化的思想精华,对于我国民族文化的和谐发展具有重要的理论借鉴和实践意义。
[Abstract]:After the discussion of literary subjectivity in 1980's, the development of intersubjectivity theory in China has made a great breakthrough. On the one hand, this is due to the translation and introduction of a large number of Western intersubjectivity theories, on the other hand, the domestic scholars' efforts to explore the theory and to solve practical problems. The emergence of the theory of intersubjectivity has its own inevitable logic of development. The theory of intersubjectivity comes into being on the basis of western object philosophy-aesthetics and western subjectivity philosophy-aesthetics. It is a reflection and transcendence of subjectivity philosophy-aesthetics. The core of the theory of intersubjectivity is subjectivity, so intersubjectivity is not anti-subjectivity, but pays attention to and emphasizes the interaction between subjects. In that case, the other who is relative to the subject self must be placed in the position of dialogue and communication with the subject on an equal footing. The other is the necessary condition for the emergence of self-consciousness. Only when the subject and the object, the self and the other get along harmoniously, can the subject become the real free subject and the world become the real world of human beings. Bakhtin's theory of carnival poetics and dialogue is an important part of the theory of intersubjectivity, which is of great value to us in dealing with the conflicts of culture, race and society. In the universal state of unequal discourse power in the world, every vulnerable group dreams of acquiring discourse power and identity. Popular culture, folk culture and elite culture, official culture is full of contradictions, conflicts and blending. Using Bakhtin's theory to see through the present situation of world culture, we can find that the boundary between the central discourse and the non-central discourse, the form of the elite and the masses and the value system is not clear, but shows that there are two sides, I. e., I have you, and we coexist at the same time. A mutually reinforcing relationship. The thought of "harmony but difference" in Chinese traditional culture has many spiritual similarities with the inter-subjectivity philosophy and aesthetics. They respect the differences, advocate pluralism and achieve the harmony and unity of coexistence and harmony and complementation at the same time. Therefore, absorbing the current theory of intersubjectivity and carrying forward the essence of Chinese traditional culture have important theoretical and practical significance for the harmonious development of our national culture.
【学位授予单位】：广西民族大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：I021

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