“形态学”视域下的歌德文艺美学研究
发布时间：2019-07-03 10:27
【摘要】： 本文通过对歌德首创的“形态学”概念内涵的阐发，系统梳理和论述了歌德文艺美学思想的独特性及其对后世的启迪和影响。“形态学”是歌德在植物变形研究中提出并移植于文艺美学领域的概念，以有机论为其内核。歌德的“美是一种本原现象”、“人是造型艺术最高的对象”等一系列美学命题都有着“形态学”观念的理论背景，他的“本原诗歌”论和“世界文学”论等诗学理论也充分体现了“形态学”的内涵。在关于“古典”与“浪漫”这一对审美范式的论争中，歌德著名的“古典的是健康的，浪漫的是病态的”论断同样具有深层的“形态学”意蕴。“形态学”视域下的歌德文艺美学观念对19—20世纪之交艺术史领域研究理念和方法上的巨大变革所产生的影响可以说是决定性的，沃尔夫林、李格尔、沃林格等艺术史家在研究中均贯彻了“形态学”的基本思想。在诗学领域中，，海德格尔的“原诗”概念与加拿大文学理论家弗莱的“原型”概念也流露出“形态学”观念影响的痕迹。歌德的“形态学”理论对近代以来主体性哲学人类中心主义的立场有所批判，其关于人与自然、艺术与自然关系的深刻思考启示了现代和后现代生态运动、过程哲学等思潮对主体性哲学的进一步批判和颠覆。
[Abstract]:This paper systematically combs and discusses the uniqueness of Goethe's aesthetic thought of literature and art and its enlightenment and influence on later generations by expounding the connotation of the concept of "morphology" initiated by Goethe. Morphology is a concept put forward by Goethe in the study of plant deformation and transplanting into the field of literary aesthetics, with organic theory as its core. Goethe's "Beauty is a primitive phenomenon". A series of aesthetic propositions, such as "Man is the highest object of plastic arts", all have the theoretical background of the concept of "morphology". His poetics theories such as "primitive poetry" and "world literature" also fully embody the connotation of "morphology". In the debate on the aesthetic paradigm of "classical" and "romantic", Goethe's famous conclusion that "classical is healthy and romantic is morbid" also has deep "morphological" meaning. The influence of Goethe's aesthetic concept of literature and art from the perspective of "morphology" on the great changes in the research ideas and methods in the field of art history at the turn of the 20th century can be said to be decisive. Wolflin, Ligger, Warringer and other art historians have carried out the basic idea of "morphology" in their research. In the field of poetics, Heidegger's concept of "original poetry" and the concept of "prototype" by Canadian literary theorist Frye also show traces of the influence of the concept of "morphology". Goethe's theory of "morphology" criticizes the position of humanism in the philosophy of subjectivity since modern times. His profound thinking on the relationship between man and nature, art and nature enlightens the further criticism and subversion of subjective philosophy by modern and postmodern ecological movements, process philosophy and so on.
【学位授予单位】：黑龙江大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：I01
本文编号：2509314
[Abstract]:This paper systematically combs and discusses the uniqueness of Goethe's aesthetic thought of literature and art and its enlightenment and influence on later generations by expounding the connotation of the concept of "morphology" initiated by Goethe. Morphology is a concept put forward by Goethe in the study of plant deformation and transplanting into the field of literary aesthetics, with organic theory as its core. Goethe's "Beauty is a primitive phenomenon". A series of aesthetic propositions, such as "Man is the highest object of plastic arts", all have the theoretical background of the concept of "morphology". His poetics theories such as "primitive poetry" and "world literature" also fully embody the connotation of "morphology". In the debate on the aesthetic paradigm of "classical" and "romantic", Goethe's famous conclusion that "classical is healthy and romantic is morbid" also has deep "morphological" meaning. The influence of Goethe's aesthetic concept of literature and art from the perspective of "morphology" on the great changes in the research ideas and methods in the field of art history at the turn of the 20th century can be said to be decisive. Wolflin, Ligger, Warringer and other art historians have carried out the basic idea of "morphology" in their research. In the field of poetics, Heidegger's concept of "original poetry" and the concept of "prototype" by Canadian literary theorist Frye also show traces of the influence of the concept of "morphology". Goethe's theory of "morphology" criticizes the position of humanism in the philosophy of subjectivity since modern times. His profound thinking on the relationship between man and nature, art and nature enlightens the further criticism and subversion of subjective philosophy by modern and postmodern ecological movements, process philosophy and so on.
【学位授予单位】：黑龙江大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：I01
【引证文献】
相关硕士学位论文 前1条
1 孙大勇;仿生营造艺术初探[D];中央美术学院;2012年
本文编号：2509314
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