忠实与叛逆：葛浩文文学翻译研究
发布时间：2021-04-18 03:22
鉴于翻译行为时刻面临并处理不同民族之间的文化差异，而处理这些跨语言、跨文化的信息传递又不可免地遭遇不同程度的信息失落、扭曲和增添，法国文学社会学家罗伯特·埃斯卡皮（Robert Escarpit）敏锐地指出：“翻译总是一种创造性叛逆”（1987：137）。谢天振教授非常欣赏并赞同这一观点，认为“它道出了翻译、尤其是文学翻译的实质”（2012：33）。“是对千百年来深信不疑的传统译学理念的一种纠正和补充”（ibid：37）。从上世纪90年代初至今，谢先生不断撰文予以介绍和阐释，并在他的《译介学》一书中给予了比较全面、系统和深入的阐述。创造性叛逆理论承认原作的价值，同时又借鉴了解构主义译论中关于译者赋予原作以“来世”、当代阐释学理论关于“合法的偏见”等观点，从跨文化和比较文学的高度，阐述了文学翻译是一个再创造过程。创造性叛逆理论使译者获得了与原作者、读者平等对话的权利，为重新审视文学翻译的本质和任务以及译者在翻译过程中的主体地位提供了崭新的视角。“就译者而言，尤其是一个认真、负责的译者，他主观上确实在努力追求尽可能百分之百地忠实原文，尽可能百分之百地把原文的信息体现在译文中，然而事实上这是...
【文章来源】：上海外国语大学上海市 211工程院校 教育部直属院校
【文章页数】：168 页
【学位级别】：博士
【文章目录】：
Acknowledgements
摘要
Abstract
Chapter One Introduction
1.1 Background and Motivation of Research
1.2 Aim and Significance of Research
1.3 Methods of Research
1.4 Structure and Arrangement
Chapter Two Literature Review
2.1 Overview of Studies on Creative Treason
2.1.1 Studies on Creative Treason Abroad
2.1.2 Studies on Creative Treason at Home
2.2 Research on Howard Goldblatt and His Literary Translation
2.2.1 Howard Goldblatt and His Cultural Identity
2.2.2 Goldblatt’s Translation of Modern and Contemporary Chinese Novels
2.2.3 Research on Howard Goldblatt and His English Versions
2.3 Howard Goldblatt’s Views on Literary Translation
2.3.1 Faithful Translator and Creative Writer
2.3.2 Translation as Betrayal
2.3.3 Translation as Rewriting
2.3.4 Translation as Intercultural Communication
Chapter Three Creative Treason in Literary Translation
3.1 Literary Translation
3.1.1 Characteristics and Principles of Literary Translation
3.1.2 Literary Translation at Different Levels
3.2 Subjects of Creative Treason in Literary Translation
3.2.1 Translator
3.2.2 Target Reader
3.2.3 Original Author
3.3 Types of Creative Treason in Literary Translation
3.3.1 Individualized Translation
3.3.2 Mistranslation and Missing Translation
3.3.3 Abridged Translation and Edited Translation
3.3.4 Indirect Translation and Adaptation
3.4 Causes of Creative Treason in Literary Translation
3.4.1 Linguistic Differences
3.4.2 Cultural Differences
3.4.3 Ideology, Poetics and Patronage
3.4.4 Translator’s Own Subjective Choices
3.5 Features of Creative Treason in Literary Translation
3.5.1 Universality
3.5.2 Source-text Prescriptiveness
3.5.3 Duality
3.5.4 Descriptiveness
Chapter Four Case Study of Howard Goldblatt’s Translation of Shengsi pilao 59
4.1 Mo Yan and His Shengsi pilao
4.1.1 Mo Yan and His Literary World
4.1.2 Shengsi pilao and Its Artistic Features
4.2 Fidelity and Treason at the Linguistic Level
4.2.1 Colloquial Style
4.2.2 Rhetorical Devices
4.3 Fidelity and Treason at the Cultural Level
4.3.1 Character Names
4.3.2 Unique Expressions of Specific Historical Periods
4.3.3 Images of Religious Culture
4.3.4 Images of Idiomatic Expressions
4.4 Fidelity and Treason at the Textual Level
4.4.1 Omission of Indigestible Cultural Elements
4.4.2 Omission of Similar Plots
4.4.3 Omission of Complex Descriptions
4.4.4 Omission of Minor Characters and Events
4.4.5 Translation of Couplet Titles
4.4.6 Principle of Simplification
4.5 Rethinking Creative Treason and Fidelity
4.5.1 Values of Creative Treason in Literary Translation
4.5.2 Limitations of Creative Treason in Literary Translation
4.5.3 Dialectical Relationship between Creative Treason and Fidelity
Chapter Five Factors and Revelations of Howard Goldblatt’s Success
5.1 Factors of Howard Goldblatt’s Success in Literary Translation
5.1.1 Excellent Bilingual Competence
5.1.2 Deep Love for Chinese Literature and Literary Translation
5.1.3 Strong Sense of Responsibility for Target Readers
5.1.4 Good Relationship with the Original Authors
5.2 Revelations of Howard Goldblatt’s Success in Literary Translation
5.2.1 Reflection on Chinese-English Translator Models
5.2.2 Reflection on Domestic Experience and Western Model
5.2.3 Tentative Construction of Ideal Chinese-English Translator Model
Chapter Six Conclusion
6.1 Research Conclusion
6.2 Limitations of the Present Research
6.3 Suggestions for Further Research
Bibliography
Appendix A
Appendix B
【参考文献】：
期刊论文
[1]从几篇重要文献看葛浩文的翻译思想[J]. 孙会军. 东方翻译. 2012 (04)
[2]蓝诗玲:英国新生代汉学家[J]. 孙敬鑫. 对外传播. 2012(06)
[3]创造性叛逆:争论、实质与意义[J]. 谢天振. 中国比较文学. 2012(02)
[4]新时代语境期待中国翻译研究的新突破[J]. 谢天振. 中国翻译. 2012(01)
[5]中国文学英译的合作、协商与文化传播——汉英翻译家葛浩文与林丽君访谈录[J]. 李文静. 中国翻译. 2012(01)
[6]翻译与跨文化交际策略[J]. 孙艺风. 中国翻译. 2012(01)
[7]中国现当代小说在英语世界传播的背景、现状及译介模式[J]. 吕敏宏. 小说评论. 2011(05)
[8]翻译研究:回归现实世界——对“文化转向”的再思考[J]. 胡牧. 中国翻译. 2011(05)
[9]本土性、民族性的世界写作——莫言的海外传播与接受[J]. 刘江凯. 当代作家评论. 2011(04)
[10]跟葛浩文学翻译[J]. 孙会军. 英语知识. 2011(07)
博士论文
[1]手中放飞的风筝[D]. 吕敏宏.南开大学 2010
[2]创造性叛逆：概念、理论与历史描述[D]. 刘小刚.复旦大学 2006
硕士论文
[1]忠实或背叛：从《狼图腾》英译本看译者主体性的运用[D]. 田雨.山东师范大学 2011
[2]论译者文化身份对葛浩文翻译的影响[D]. 董晶晶.中南大学 2008
[3]莫言小说《红高粱家族》在美国的译介：接受与变异[D]. 左苗苗.贵州大学 2008
[4]探索更为合理的性别视角的译作评论[D]. 陈丽娟.广东外语外贸大学 2006
[5]文学翻译中创造性叛逆的新阐释[D]. 张虹.安徽大学 2005
本文编号：3144698
【文章来源】：上海外国语大学上海市 211工程院校 教育部直属院校
【文章页数】：168 页
【学位级别】：博士
【文章目录】：
Acknowledgements
摘要
Abstract
Chapter One Introduction
1.1 Background and Motivation of Research
1.2 Aim and Significance of Research
1.3 Methods of Research
1.4 Structure and Arrangement
Chapter Two Literature Review
2.1 Overview of Studies on Creative Treason
2.1.1 Studies on Creative Treason Abroad
2.1.2 Studies on Creative Treason at Home
2.2 Research on Howard Goldblatt and His Literary Translation
2.2.1 Howard Goldblatt and His Cultural Identity
2.2.2 Goldblatt’s Translation of Modern and Contemporary Chinese Novels
2.2.3 Research on Howard Goldblatt and His English Versions
2.3 Howard Goldblatt’s Views on Literary Translation
2.3.1 Faithful Translator and Creative Writer
2.3.2 Translation as Betrayal
2.3.3 Translation as Rewriting
2.3.4 Translation as Intercultural Communication
Chapter Three Creative Treason in Literary Translation
3.1 Literary Translation
3.1.1 Characteristics and Principles of Literary Translation
3.1.2 Literary Translation at Different Levels
3.2 Subjects of Creative Treason in Literary Translation
3.2.1 Translator
3.2.2 Target Reader
3.2.3 Original Author
3.3 Types of Creative Treason in Literary Translation
3.3.1 Individualized Translation
3.3.2 Mistranslation and Missing Translation
3.3.3 Abridged Translation and Edited Translation
3.3.4 Indirect Translation and Adaptation
3.4 Causes of Creative Treason in Literary Translation
3.4.1 Linguistic Differences
3.4.2 Cultural Differences
3.4.3 Ideology, Poetics and Patronage
3.4.4 Translator’s Own Subjective Choices
3.5 Features of Creative Treason in Literary Translation
3.5.1 Universality
3.5.2 Source-text Prescriptiveness
3.5.3 Duality
3.5.4 Descriptiveness
Chapter Four Case Study of Howard Goldblatt’s Translation of Shengsi pilao 59
4.1 Mo Yan and His Shengsi pilao
4.1.1 Mo Yan and His Literary World
4.1.2 Shengsi pilao and Its Artistic Features
4.2 Fidelity and Treason at the Linguistic Level
4.2.1 Colloquial Style
4.2.2 Rhetorical Devices
4.3 Fidelity and Treason at the Cultural Level
4.3.1 Character Names
4.3.2 Unique Expressions of Specific Historical Periods
4.3.3 Images of Religious Culture
4.3.4 Images of Idiomatic Expressions
4.4 Fidelity and Treason at the Textual Level
4.4.1 Omission of Indigestible Cultural Elements
4.4.2 Omission of Similar Plots
4.4.3 Omission of Complex Descriptions
4.4.4 Omission of Minor Characters and Events
4.4.5 Translation of Couplet Titles
4.4.6 Principle of Simplification
4.5 Rethinking Creative Treason and Fidelity
4.5.1 Values of Creative Treason in Literary Translation
4.5.2 Limitations of Creative Treason in Literary Translation
4.5.3 Dialectical Relationship between Creative Treason and Fidelity
Chapter Five Factors and Revelations of Howard Goldblatt’s Success
5.1 Factors of Howard Goldblatt’s Success in Literary Translation
5.1.1 Excellent Bilingual Competence
5.1.2 Deep Love for Chinese Literature and Literary Translation
5.1.3 Strong Sense of Responsibility for Target Readers
5.1.4 Good Relationship with the Original Authors
5.2 Revelations of Howard Goldblatt’s Success in Literary Translation
5.2.1 Reflection on Chinese-English Translator Models
5.2.2 Reflection on Domestic Experience and Western Model
5.2.3 Tentative Construction of Ideal Chinese-English Translator Model
Chapter Six Conclusion
6.1 Research Conclusion
6.2 Limitations of the Present Research
6.3 Suggestions for Further Research
Bibliography
Appendix A
Appendix B
【参考文献】：
期刊论文
[1]从几篇重要文献看葛浩文的翻译思想[J]. 孙会军. 东方翻译. 2012 (04)
[2]蓝诗玲:英国新生代汉学家[J]. 孙敬鑫. 对外传播. 2012(06)
[3]创造性叛逆:争论、实质与意义[J]. 谢天振. 中国比较文学. 2012(02)
[4]新时代语境期待中国翻译研究的新突破[J]. 谢天振. 中国翻译. 2012(01)
[5]中国文学英译的合作、协商与文化传播——汉英翻译家葛浩文与林丽君访谈录[J]. 李文静. 中国翻译. 2012(01)
[6]翻译与跨文化交际策略[J]. 孙艺风. 中国翻译. 2012(01)
[7]中国现当代小说在英语世界传播的背景、现状及译介模式[J]. 吕敏宏. 小说评论. 2011(05)
[8]翻译研究:回归现实世界——对“文化转向”的再思考[J]. 胡牧. 中国翻译. 2011(05)
[9]本土性、民族性的世界写作——莫言的海外传播与接受[J]. 刘江凯. 当代作家评论. 2011(04)
[10]跟葛浩文学翻译[J]. 孙会军. 英语知识. 2011(07)
博士论文
[1]手中放飞的风筝[D]. 吕敏宏.南开大学 2010
[2]创造性叛逆：概念、理论与历史描述[D]. 刘小刚.复旦大学 2006
硕士论文
[1]忠实或背叛：从《狼图腾》英译本看译者主体性的运用[D]. 田雨.山东师范大学 2011
[2]论译者文化身份对葛浩文翻译的影响[D]. 董晶晶.中南大学 2008
[3]莫言小说《红高粱家族》在美国的译介：接受与变异[D]. 左苗苗.贵州大学 2008
[4]探索更为合理的性别视角的译作评论[D]. 陈丽娟.广东外语外贸大学 2006
[5]文学翻译中创造性叛逆的新阐释[D]. 张虹.安徽大学 2005
本文编号：3144698
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