泰戈尔长篇小说中东西方文化的杂糅性
发布时间：2019-06-08 18:10
【摘要】：作为近现代世界文学史上最伟大的文学家之一,罗宾德拉纳特·泰戈尔为后人缔造了一座意蕴深远、内涵丰富、绚烂至极、别具一格的文学圣殿。泰戈尔的生活和创作正处于19世纪末20世纪初的印度民族主义转型期,印度的民族传统文化与西方的外来现代文化深深地影响了泰戈尔的成长,对东方和西方也就是帝国主义与被殖民地之间的文化关系有着切身的感受和深刻的思考。这些无疑在诗人的诗歌中有充分表证,但无论从创作数量、创作手法、还是从作品题材来看,长篇小说在泰戈尔的作品中都占有独特而重要的地位,它们是作者对现实生活和内心世界的真实反映,与作者的生命感受、生存体验紧密相连。本文通过研究泰戈尔的长篇小说创作及其身份认同问题,有助于厘清后殖民主义与文化多元主义产生的文化语境以及相互之间复杂的关系,更加全面、系统、客观地理解和把握泰戈尔的小说创作与文本意义。尤其是泰戈尔的文化身份既反映了印度在殖民势力压迫下渴求文化归属的痛苦和迷惘,也表现了一种通过“政治认同”将长期共居于全世界而又具有不同族群、语言、文化、历史传统的族群凝聚起来,创造出一个“想象的共同体”,在一个东西方文化共融的和谐统一的“第三空间”获得繁荣和幸福的理想。 本论文在梳理评述国内外泰戈尔的研究现状的基础上,首先从历时的、动态的角度概括泰戈尔长篇小说谱系,描述泰戈尔长篇小说与东西方文化杂交的概貌,以及与文化身份建构的互动关系。进而引出泰戈尔身份产生的社会背景以及文化背景,简要说明其受到的印度传统文化、家庭、个人成长经历以及英国为代表的西方文化等方面的影响。其次,对泰戈尔长篇小说中的人物形象进行分析,重点探讨女性形象的隐喻性和象征性。通过对长篇小说中女性形象本身及这些形象之间的矛盾与分裂的说明,揭示矛盾的女性观是泰戈尔文化身份建构的杂糅性的直接地、最有代表性的体现。再次,从后现代和后殖民文化身份认同的核心问题入手,集中探讨两个问题：殖民入侵如何造成泰戈尔的生存经验与其表述话语之间的断裂?泰戈尔如何通过长篇小说创作反抗殖民话语霸权建构自我的文化身份?他在赋予长篇小说中的人物以生动鲜明的性格的同时,也投射出了自己的身份困惑和身份危机,两者之间像在镜子中一样形成一种互相映射的关系。同时,本文为读者了解泰戈尔文化身份的杂糅性提供了一个出发点,其中也加入了一些作者不成熟的观点和见解。笔者认为,每种文化肯定都有其精华与糟粕,没有一种文化具有终极的普遍意义,不同文化间的冲突并不是文化发展的根本,而是冲突中的接触才使得不同文化之间搭起桥梁,从而实现交融。
[Abstract]:As one of the greatest writers in the history of modern world literature, Robin Delanat Tagore has created a literary temple with profound meaning, rich connotation, gorgeous and unique for future generations. Tagore's life and creation are in the transition period of Indian nationalism at the end of the 19th century and the beginning of the 20th century. The national traditional culture of India and the foreign modern culture of the West have deeply influenced the growth of Tagore. There are immediate feelings and profound thoughts on the cultural relationship between the East and the West, that is, imperialism and colonization. There is no doubt that these are fully demonstrated in the poet's poems, but whether in terms of the number of creations, the creative techniques and the subject matter of the works, novels occupy a unique and important position in Tagore's works. They are the real reflection of the author to the real life and the inner world, and are closely related to the author's life feeling and survival experience. By studying Tagore's novel creation and his identity, this paper helps to clarify the cultural context and the complex relationship between post-colonialism and cultural pluralism, which is more comprehensive and systematic. Objectively understand and grasp Tagore's novel creation and text significance. In particular, Tagore's cultural identity not only reflects the pain and confusion of India's thirst for cultural belonging under the oppression of colonial forces, but also shows that it will live together all over the world for a long time through "political identity" and has different ethnic groups, languages and cultures. The ethnic groups of historical tradition unite to create a "imaginary community" to achieve the ideal of prosperity and happiness in a harmonious and unified "third space" of the integration of eastern and western cultures. On the basis of combing and reviewing the research status of Tagore at home and abroad, this paper first summarizes the pedigree of Tagore's novels from a diachronic and dynamic point of view, and describes the general situation of the hybrid of Tagore's novels with Eastern and Western cultures. And the interaction with the construction of cultural identity. Then it leads to the social background and cultural background of Tagore's identity, and briefly explains the influence of Indian traditional culture, family, personal growth experience and western culture represented by Britain. Secondly, it analyzes the characters in Tagore's novels, focusing on the metaphorical and symbolic nature of female images. Through the explanation of the female image itself and the contradiction and division between these images in the novel, it is revealed that the contradictory view of women is the direct and most representative embodiment of the mixed nature of Tagore's cultural identity construction. Thirdly, starting with the core issues of postmodern and post-colonial cultural identity, this paper focuses on two issues: how did colonial invasion cause the break between Tagore's survival experience and his expressive discourse? How does Tagore construct his own cultural identity through novel creation against colonial discourse hegemony? While giving vivid and vivid characters to the characters in the novel, he also projects his own identity confusion and identity crisis, which form a mapping relationship as in the mirror. At the same time, this paper provides a starting point for readers to understand the mixed nature of Tagore's cultural identity, and also adds some immature views and opinions of the author. The author believes that every culture must have its essence and dross, no culture has the ultimate universal significance, the conflict between different cultures is not the foundation of cultural development, but the contact in the conflict makes the bridge between different cultures. In order to achieve integration.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I351.074
本文编号：2495474
[Abstract]:As one of the greatest writers in the history of modern world literature, Robin Delanat Tagore has created a literary temple with profound meaning, rich connotation, gorgeous and unique for future generations. Tagore's life and creation are in the transition period of Indian nationalism at the end of the 19th century and the beginning of the 20th century. The national traditional culture of India and the foreign modern culture of the West have deeply influenced the growth of Tagore. There are immediate feelings and profound thoughts on the cultural relationship between the East and the West, that is, imperialism and colonization. There is no doubt that these are fully demonstrated in the poet's poems, but whether in terms of the number of creations, the creative techniques and the subject matter of the works, novels occupy a unique and important position in Tagore's works. They are the real reflection of the author to the real life and the inner world, and are closely related to the author's life feeling and survival experience. By studying Tagore's novel creation and his identity, this paper helps to clarify the cultural context and the complex relationship between post-colonialism and cultural pluralism, which is more comprehensive and systematic. Objectively understand and grasp Tagore's novel creation and text significance. In particular, Tagore's cultural identity not only reflects the pain and confusion of India's thirst for cultural belonging under the oppression of colonial forces, but also shows that it will live together all over the world for a long time through "political identity" and has different ethnic groups, languages and cultures. The ethnic groups of historical tradition unite to create a "imaginary community" to achieve the ideal of prosperity and happiness in a harmonious and unified "third space" of the integration of eastern and western cultures. On the basis of combing and reviewing the research status of Tagore at home and abroad, this paper first summarizes the pedigree of Tagore's novels from a diachronic and dynamic point of view, and describes the general situation of the hybrid of Tagore's novels with Eastern and Western cultures. And the interaction with the construction of cultural identity. Then it leads to the social background and cultural background of Tagore's identity, and briefly explains the influence of Indian traditional culture, family, personal growth experience and western culture represented by Britain. Secondly, it analyzes the characters in Tagore's novels, focusing on the metaphorical and symbolic nature of female images. Through the explanation of the female image itself and the contradiction and division between these images in the novel, it is revealed that the contradictory view of women is the direct and most representative embodiment of the mixed nature of Tagore's cultural identity construction. Thirdly, starting with the core issues of postmodern and post-colonial cultural identity, this paper focuses on two issues: how did colonial invasion cause the break between Tagore's survival experience and his expressive discourse? How does Tagore construct his own cultural identity through novel creation against colonial discourse hegemony? While giving vivid and vivid characters to the characters in the novel, he also projects his own identity confusion and identity crisis, which form a mapping relationship as in the mirror. At the same time, this paper provides a starting point for readers to understand the mixed nature of Tagore's cultural identity, and also adds some immature views and opinions of the author. The author believes that every culture must have its essence and dross, no culture has the ultimate universal significance, the conflict between different cultures is not the foundation of cultural development, but the contact in the conflict makes the bridge between different cultures. In order to achieve integration.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I351.074
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