从超二元对立角度浅析宗白华意境论

发布时间：2017-12-30 18:34

本文关键词：从超二元对立角度浅析宗白华意境论　出处：《云南大学》2011年硕士论文　论文类型：学位论文

【摘要】：当我们欣赏一方景物美丽的时候,我们总情不自禁得感叹：这景物真美!那么到底是景物美,还是人认为景物美呢?即到底是客观的呢还是主观呢?对于美的真谛,宗白华先生提出了“艺境”说。对于一处景物,我们不能简单得去“看”,当然我们也不能简单地运用马克思辩证唯物论认为它与其他事物有联系。我们必须引出海德格尔的存在。美丽本身就存在于我们身边,我们为何又强加人意把他们分成主观、客观呢?如一只杯子,我们不管这只杯子具体长什么样,但敢确定的一点是杯子中间一定是一个空间,而也恰恰是这种空间才有了杯子的成为杯子的可能,正如“三十辐,共一毂,当其无,有车之用。”那么这只杯子到底是“无”还是“有”呢?超二元对立观点认为对于一处景物,我们只要用心去欣赏就够了。当我们摒弃了我们人自身,而融入景的世界,出现了另外一幅画面——“人”实现“人之本身”时反而趋近了“景”,在实现“人”的过程中反而讲出了“景”。我们会发现由景敞开的一层比一层深的情,而由这无比深厚的情之世界又生出一层又一层深的景之世界,这无穷的情和无穷的景相互交织、聚合、交融、和谐成“意义世界”,在这个意义世界里,充满着灵气,宗白华先生称其为“艺境”。在人们正按主客关系模式追求经济与科学发展的时代,提倡超越主客关系的高远境界,似乎很合适宜。本文将重点分三步走。第一步从“有”、“无”中的超二元对立角度分析宗白华现实的充实与空灵之意境美,第二步从“在场”、“不在场”中的超二元对立角度分析宗白华先生的时空之意境论,最后一步从相融体验中的超主客二元对立角度分析宗白华先生情景交融之意境论。随后,在文章末尾将尝试对哲学的转型做粗略的解读,以引起当代研究者对哲学转型方向的思考。
[Abstract]:When we appreciate the beautiful scenery when a party, we have to sigh: this beautiful scenery is unable to restrain the emotions! So what is the beauty of scenery, beautiful scenery or people think? Which is objective or subjective? For the essence of beauty, Mr. Zong Baihua put forward the "artistic conception".
For a scene, we can not simply go to "see", of course, we can not simply use the Marx dialectical materialism that it is associated with other things. We must lead to the existence of Heidegger. The beauty itself is in the US, but we are strong people. They were divided into subjective and objective as one? The cup, the cup we no matter what kind of a specific length, but can be sure it must be a space, and it is precisely this kind of space that the cup is a cup, as "thirty spokes, a hub, as no car with it." cup is "no" or "have"? Two yuan over the opposite view for a scene, as long as we appreciate it. When we abandoned our own view, and integrate into the world, there was another picture: "People themselves" when it is approaching the "King", in the process of implementation of the "people" will tell the "Scene". We can find from the King opened a layer of more than one layer of deep love, and by this world very deep love and give birth to the world level a dark scene, the infinite love and infinite scenery intertwined, aggregation, integration, harmonious "meaning world", in this world, full of aura, Mr. Zong Baihua called his "artistic conception".
When people are in the pursuit of economic and scientific mode of subject and object relationship development era, advocating beyond the relation between subject and object, lofty realm, seems to be very suitable. This paper will focus on three steps. The first step from the "yes", "no" in the super two binary analyses Zong Baihua reality full and ethereal beauty of artistic conception. The second step from the "presence", "Absence" in the super two yuan opposition analyses Mr. Zong Baihua's theory of artistic conception space, the last step from blending in the experience of super and two opposite angle analysis on the conception of Mr. Zong Baihua scenes. Then, in the end the transformation of philosophy will try to do a rough analysis reflections on the transformation of philosophy, direction to attract contemporary researchers.

【学位授予单位】：云南大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：I01

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