从艺术的美学视野到艺术之思

发布时间：2018-01-11 00:28

本文关键词：从艺术的美学视野到艺术之思　出处：《四川大学》2003年硕士论文　论文类型：学位论文

【摘要】： 西方哲学史上众多大思想家中对美学关注者不乏其人，比如，本文所提到的柏拉图、亚里士多德、黑格尔、马克思、尼采等等；但是，二十世纪以来，，自现象学兴起之后，对艺术的思考进入了一个全新的视域。在以胡塞尔以及海德格尔等思想家为代表的现象学看来，这些传统的美学观念都还没有进入真正的“艺术之思”；传统美学还没有能够真正揭示本真之艺术，艺术仍处于被遮蔽状态之中。那么，什么是本真的艺术呢?本真的艺术喻示美，艺术不仅只是娱乐，艺术是真理的发生。当然，并不是说艺术就是真理，艺术是真理的“发生”是说艺术“显现”真理或艺术“揭示”真理。真正的艺术“显现着”真理。本文共分四章，其中：第一章着重于西方哲学史上一些重要的美学思想，试图从中理出一条从“理性”到“艺术”的线索，也为第二章对现象学的讨论做了前提准备。第二章主要讨论现象学与艺术，具体分析了现象学原理以及现象学与艺术的密切关系。第三章着重于海德格尔的“存在”之思，重点提出了如何领会生存在世是领会整个海德格尔思想的一个基本前提；同时，也从“存在”之思中进一步分析了艺术的“当下构成”性以及艺术的新使命和艺术如何显现真理。第四章则结合艺术中一些具体现象，提出时间对艺术以及对生存在世的重要意义，我们如何能够真正的领会艺术就在于我们是否能够真正的“倾听”。“倾听”不是对发出声响的某物的“听”，而是对生存在世有所领悟的“听”，是对人之在世的时间性的“倾听”，在此“倾听”中，人获得了真正地解放。
[Abstract]:Many great thinkers in the history of western philosophy pay more attention to aesthetics, such as Plato, Aristotle, Hegel, Marx, Nietzsche and so on. Since 20th century, however, since the rise of phenomenology, the thinking of art has entered a new horizon, as represented by Husserl, Heidegger and other thinkers. These traditional aesthetic concepts have not entered into the true "artistic thinking"; Traditional aesthetics has not been able to truly reveal the true art, art is still hidden in the state. So what is true art? True art shows beauty. Art is not only entertainment, but art is the occurrence of truth. Of course, it does not mean that art is truth. Art is the "occurrence" of truth, which means that art "manifests" "truth" or "art" reveals "truth" and "true art" reveals "truth". This paper is divided into four chapters: the first chapter focuses on some important aesthetic thoughts in the history of western philosophy, trying to draw a clue from "reason" to "art". The second chapter mainly discusses phenomenology and art. It analyzes the principle of phenomenology and the close relationship between phenomenology and art. The third chapter focuses on Heidegger's thought of being. It puts forward emphatically that how to understand the existence is a basic premise of understanding the whole Heidegger's thought; At the same time, it also further analyzes the "present constitution" of art and how the new mission of art and art reveal the truth from the thought of "being". Chapter 4th combines some concrete phenomena in art. When it comes to the importance of time to art and to survival, how can we truly understand art depends on whether we can truly "listen". "listening" is not "listening" to something that makes a sound. It is the "listening" to the living, the "listening" to the time of man's existence, in which man is truly liberated.
【学位授予单位】：四川大学
【学位级别】：硕士
【学位授予年份】：2003
【分类号】：J01

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