清末民初上海的艺术家与民间赞助

发布时间：2018-01-15 12:37

本文关键词：清末民初上海的艺术家与民间赞助　出处：《南京师范大学》2004年硕士论文　论文类型：学位论文

【摘要】：海上画坛是近代中国最后一个艺术中心。从清朝晚期的光绪、宣统到民国初期这五、六十年间，画家争先恐后的涌入上海，上海地区的书画之盛，远远超过了昔日的扬州。海上画坛的兴盛发展固然与社会的动乱、上海经济的繁荣等因素有关，但我认为主要原因是来自于民间支持、帮助艺术家及其艺术活动的赞助力量。中国早期，来自官方的赞助是艺术得以发展的主要动力。自元朝以后，情况开始发生变化。民间赞助力量开始兴起，发展至清末，大有取代宫廷发挥推动艺术事业发展的作用。本文将详细分析清末民初上海的商人阶层、艺术院校、出版业、画商等民间的赞助力量是如何资助、帮助来到上海的艺术家，如何为他们创造良好的生存环境和发展空间，，从而推动了上海艺术事业的蓬勃发展。由于民间赞助的发展也是以经济为基础，所以本文将上海繁荣的经济单独作为一章，并附带论述民间赞助的初兴。
[Abstract]:From Guang Xu in the late Qing Dynasty to the beginning of the Republic of China in the past five and 60 years, painters rushed into Shanghai and the calligraphy and painting of Shanghai became prosperous. Far more than the former Yangzhou. The prosperity and development of the sea painting world is certainly related to the social turmoil, Shanghai's economic prosperity and other factors, but I think the main reason is from the folk support. In early China, official sponsorship was the main driving force for the development of art. After the Yuan Dynasty, the situation began to change. Folk sponsorship began to rise. By the end of Qing Dynasty, the court will play a role in promoting the development of art. This article will analyze in detail how the private sponsorship forces such as merchants, art colleges, publishing, painting dealers and so on in Shanghai in the late Qing Dynasty and early Republic of China supported the development of art. To help artists come to Shanghai, how to create a good living environment and space for their development, thus promoting the vigorous development of Shanghai art, because the development of folk sponsorship is also based on the economy. Therefore, this article regards Shanghai's prosperous economy as a separate chapter, and also discusses the initial prosperity of folk sponsorship.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J120.9

【引证文献】