我国艺术文化学的渊源及其当代取向

发布时间：2018-01-15 14:09

本文关键词：我国艺术文化学的渊源及其当代取向　出处：《天津社会科学》2009年03期 　论文类型：期刊论文

【摘要】：我国自古以来特别重视艺术的文化性质和功用,形成"兴、观、群、怨"、"文以载道"等艺术文化传统;这一传统在近现代以来民族救亡运动中被不断强化;建国以来,艺术沿"民族的,科学的,大众的"文化路线演进,艺术文化研究确立了新的方向;改革开放以来,艺术文化学成为艺术学学科体系中重要组成部分。新世纪,艺术文化学显现出一定特色,其研究取向可概括为:立足当代艺术前沿,打通古今艺术文化承续纵轴;以"眼界向下"的勇气,接纳大众文化艺术和民族民间文化艺术;以国际视野,吸收借鉴西方艺术文化研究理论和方法。
[Abstract]:Since ancient times, China has attached great importance to the cultural nature and function of art, forming artistic cultural traditions such as "prosperity, view, group, resentment" and "the way of writing". This tradition has been continuously strengthened in the national salvation movement since modern times. Since the founding of the people's Republic of China, art has evolved along the cultural route of "national, scientific and popular", and the study of art and culture has established a new direction. Since the reform and opening up, art culturology has become an important part of the subject system of art. In the new century, art culturology shows certain characteristics, and its research orientation can be summarized as follows: based on the frontier of contemporary art. Through the ancient and modern art and culture continue the vertical axis; To accept the popular culture and the folk culture and art with the courage of "looking down"; Draw lessons from western theories and methods of art and culture research from the international perspective.
【作者单位】：北京师范大学艺术与传媒学院;
【基金】：国家社会科学基金重大课题“我国文化软实力发展战略研究”(项目号:07&ZD037)的阶段性成果
【分类号】：J120
【正文快照】： 一、悠长的艺术文化研究传统在西方,将艺术作为一种文化系统来观察和分析,是与19世纪以来美学、人类学等学科的建立和发展密切相关的,人们将美学的、文化学的观点运用到艺术研究中,试图为本学科的现实存在提供更具说服力的证明。这些学科研究视角的介入,从其目的性来看,是以

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