中国古典爱情悲剧的美学意蕴

发布时间：2018-01-17 00:05

本文关键词：中国古典爱情悲剧的美学意蕴　出处：《四川师范大学》2011年硕士论文　论文类型：学位论文

【摘要】：美学的根本问题是关于人的问题,是对人的存在状态进行审美观照、审美理解和审美反思的问题。中国古典爱情悲剧作为人类艺术殿堂里的瑰宝,它以揭示人类存在中的各种困境、灾难和痛苦为旨归。因此,中国古典爱情悲剧是我们洞察人类生存状态最直接的素材。人类悲剧的总根源在于自我欲求与现存世界无法满足这些欲求之间的尖锐冲突。为了避免人类的这些悲剧,以儒道为主体建构起来的中国文化以自己的理论规范或否定人的自我欲求。只有中国古典爱情悲剧敢于肯定人类各种欲望存在的合理性,彰显了人的自我意志。中国古典爱情悲剧将人实现爱欲的渴望和现存文化处处压抑这种爱欲的悲剧性冲突展示给人看,让悲剧主人公用他的行动和毁灭去唤起审美主体的审美反思,使他们在反思中得到启示和感悟。从而进一步完善自我,推动人类的进步和发展。任何研究都必须面向当下,回到现实。研究的终极意义都是对当下存在者进行审美关怀。中国古典爱情悲剧的研究也不例外。笔者希望通过对中国古典爱情悲剧的研究,培育出具有悲剧意识和悲剧精神的个体。这些个体不仅具有独立思想和健全人格,拥有人类普遍认同的道德价值,而且具有坚韧的性格和强大生命力。也就是黑格尔所说:“这里人物性格首先必须至少在形式上是伟大坚强的,有能力抵挡住一切消极因素。”①只要人类拥有这种悲剧精神,他性格上的“伟大坚强”就能“抵挡住一切消极因素”,就能在任何困境与灾难中重新站起来。本文接下来对中国古典爱情悲剧不同美学形态的作品加以分析,以求能使读者对整个中国古典爱情悲剧的审美特征有一个全面的掌握。并认清中西爱情悲剧美学形态不同的根源所在,从而能更客观的评价中国古典爱情悲剧。
[Abstract]:The fundamental problem of aesthetics is the question of human beings. It is the problem of aesthetic understanding and reflection on the state of existence of human beings. Chinese classical love tragedy is a treasure in the palace of human art. It aims to reveal all kinds of difficulties, calamities and pains in human existence. Therefore, the Chinese classical love tragedy is the most direct material for us to understand the human existence state. The total root of human tragedy lies in the sharp conflict between self-desire and the inability of the existing world to satisfy these desires, in order to avoid these human tragedies. The Chinese culture constructed with Confucianism and Taoism as the main body regulates or negates people's self-desire by their own theory. Only the Chinese classical love tragedy dare to affirm the rationality of the existence of various human desires. The Chinese classical love tragedy shows the tragic conflict between the desire to realize the love desire and the extant culture to suppress this kind of love desire everywhere. Let the tragic protagonist use his action and destruction to arouse the aesthetic reflection of the aesthetic subject so that they can get enlightenment and understanding in the reflection so as to further improve themselves and promote the progress and development of mankind. Any research must be present-oriented. Back to reality. The ultimate significance of the study is to the present existence of aesthetic care. Chinese classical love tragedy research is no exception. The author hopes to study the Chinese classical love tragedy. Individuals with tragic consciousness and tragic spirit are cultivated. These individuals not only have independent thoughts and sound personality, but also have the moral value universally accepted by human beings. And have tough character and strong vitality, that is, Hegel said: "here character must be at least in form is great and strong." Ability to resist all negative factors. "1 as long as human beings have this tragic spirit, his" great strength "in character can" resist all negative factors ". You can stand up again in any predicament or disaster. This paper then analyzes the works of different aesthetic forms of Chinese classical love tragedy. In order to enable readers to have a comprehensive grasp of the aesthetic characteristics of the whole Chinese classical love tragedy and to recognize the origin of the different aesthetic forms of Chinese and Western love tragedy, so as to evaluate the Chinese classical love tragedy more objectively.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：I01

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