论顺应论视角下《红楼梦》中的仿拟翻译

发布时间：2018-01-18 10:21

本文关键词：论顺应论视角下《红楼梦》中的仿拟翻译　出处：《四川外语学院》2012年硕士论文　论文类型：学位论文

【摘要】：仿拟作为一种修辞格在英语和汉语中都被视为最活跃的一种语言现象。在红楼梦人物对话中仿拟修辞手法运用巧妙，表现了作者高超的语言艺术与魅力。然而，由于来自语言形式和文化负载等方面的原因，仿拟会给译者带来巨大挑战。顺应论认为语言使用的过程是一个不断地进行语言选择的过程。微观上，该理论对语言结构所有层次上对语言的顺应与选择进行研究。宏观上，对语言现象从认知、社会、文化方面进行综合考察。文章认为翻译作为一种特殊的语言使用过程和交际过程，也是一个不断作出选择的过程，同时也是对相关因素（语言内因素和语言外因素）不断做出顺应完成交际的过程。考虑到仿拟的特点，本文选取三个顺应的维度，即语言结构、文化语境和读者的认知接受，对《红楼梦》霍克斯和杨宪益两个译本中仿拟（主要是仿词）的翻译进行了比较，试图从这三个方面分析译者如何通过顺应克服语言，文化和认知因素对仿拟的翻译造成的挑战。基于选择适应的思想和在上述三维顺应框架下对《红楼梦》两译本中仿词翻译的比较，，文章认为翻译应该是译者在自己顺应的意识程度支配下对语言结构，文化语境和读者的认知环境三个维度做出选择性顺应，使得译文在目标语环境中得以存在和被接受的过程。此外，通过该小说中仿词翻译的对比，文章认为针对仿拟这一修辞格的翻译，译者更侧重于还原形式或表现仿拟特殊的文字游戏效果而往往将传递文化内涵置于其次。在语言形式，文化内涵和美学效果无法同时实现的情况下，译者遵照的是传递翻译交际活动中原作者交际意图，帮助实现原作者和读者成功交际的原则。
[Abstract]:Parody, as a rhetorical device, is regarded as the most active linguistic phenomenon in both English and Chinese. Because of the language form and cultural load, parody will bring great challenge to the translator. Adaptation theory holds that the process of language use is a continuous process of language choice. Microscopically, the theory studies the adaptation and choice of language at all levels of language structure. A comprehensive survey of linguistic phenomena from the cognitive, social and cultural aspects is made. As a special process of language use and communication, translation is also a process of continuous choice. At the same time, it is the process of accomplishing communication by adapting to the relevant factors (internal and external factors). Considering the characteristics of parody, this paper selects three dimensions of adaptation, namely, language structure. Cultural context and readers' cognitive acceptance, this paper compares the translation of parody (mainly parody) between Hawks and Yang Xianyi in A Dream of Red Mansions. This paper attempts to analyze how translators overcome the challenges posed by linguistic, cultural and cognitive factors to parody translation through adaptation. Based on the thought of selective adaptation and the comparison between the translation of parody words in the two versions of A Dream of Red Mansions under the framework of the above three dimensional adaptation, this paper argues that translation should be the translator's linguistic structure under the control of his or her adaptation consciousness. The three dimensions of cultural context and readers' cognitive environment make the target text exist and be accepted in the context of target language. In addition, through the comparison of the translation of parody words in the novel. The author holds that in the translation of parody, the translator focuses more on the reversion of the form or the performance of the parody in particular, and usually puts the transfer of cultural connotations in the second place in the language form. When the cultural connotation and aesthetic effect cannot be realized simultaneously, the translator follows the principle of transmitting the original author's communicative intention in translation communication and helping to realize the successful communication between the original author and the reader.
【学位授予单位】：四川外语学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：H059;I046

【相似文献】