汉泰诗歌音乐性的对比

发布时间：2018-01-27 05:02

本文关键词： 音乐性汉泰泰语诗歌韵律格律节律押韵　出处：《兰州学刊》2010年S1期 　论文类型：期刊论文

【摘要】：文章要研究的是汉语传统标准诗歌的音乐性与泰语传统标准诗歌的音乐性。这项研究会注意到汉泰语言音乐性的相近与差别。汉语的近体诗是汉语诗歌最标准的诗律,泰语的"八Glaun"也是最典型的泰国诗律,这两种艺术必然有相同与区别。由于文化的习惯,两种语言的特征就在这两种诗歌里表现了它们自己音乐性的特点。汉语是汉字化,每个字等于每个音节,因此,汉语近体诗的声调格律是非常重要,但泰语的"八Glaun"最重要的方面而是押韵与轻重音的位置,音节数字与每个音节的声调并不是最重要的方面。近体诗与"八Glaun"都重视押韵,也是由于不同的语言文化,它们两才有不同的严格韵律,有相同的方面,也有不同的方面。泰语的押韵在句外与句内,押韵是最能产生音乐性的工具,汉语的押韵都在最后的位置,最后的位置是最能表现出来声音的性质。文章要详细谈汉泰两种语言与诗歌的音乐性的对比。
[Abstract]:This paper will study the musicality of Chinese traditional standard poetry and Thai traditional standard poetry. This study will pay attention to the similarities and differences of Chinese and Thai language musicality. Chinese modern poetry is the most standard of Chinese poetry. Poetry. Thai "eight Glaun" is also the most typical Thai poetry law, these two kinds of art must have the same and the difference, because of the cultural custom. The characteristics of the two languages show their own musical characteristics in the two poems. Chinese is a Chinese character, each word is equal to every syllable, therefore, the tone of Chinese modern poetry is very important. However, the most important aspect of "eight Glaun" in Thai is the position of rhyme and light tone, and the number of syllables and the tone of each syllable are not the most important aspects. Both modern poetry and "eight Glaun" pay attention to rhyming. It is also due to different languages and cultures that they have different strict rhythms, the same aspects, and different aspects. The rhyme of Thai is the most musical tool in both sentence and sentence. The rhyme of Chinese is in the last place, and the last position is the nature of sound. This paper discusses the musicality comparison between Chinese and Thai languages and poetry in detail.
【作者单位】：复旦大学中文系;
【分类号】：I0-03;I106.2
【正文快照】： 第三章汉泰诗歌音乐性的对比语言。这两种语言都需要抑扬的节奏，有了节奏才能产生轻重高低的音乐性。泰语的最标准“八Glaun”有严格的格律，，近体诗也有非常严格的格律。虽然这两种艺术的时期是不同的，但我们还是能看到它们两的相近与区别。无论是“八GLaun”还是“近体诗

【参考文献】