“时空”维度的艺术界定与元艺术

发布时间：2018-01-29 08:51

  本文关键词： 元艺术 “时空”维度 后现代主义 黑格尔 现代主义者 艺术界定 艺术哲学 艺术品 商业化 艺术理论　出处：《广东社会科学》2009年02期 　论文类型：期刊论文

【摘要】：艺术真正成为理论研究的对象是近代以来的事情,继鲍姆嘉通把审美引入哲学以后,康德对审美和目的论的考察开创了近现代美学的先河,黑格尔的美学与艺术哲学的一致性和以艺术代替自然作为审美反映基本目标的观点,标志着现代主义学派的成熟。后现代主义学派与当代艺术的出现对传统艺术形成了极大的挑战,然而,带有浓厚商业化色彩的当代艺术与传统艺术的不同仅在于"时空"的不一样,对现实的批判仍是两者的共性。很显然,无论康德还是黑格尔都承认艺术自身的独特地位。《乐记》却用一种新的眼光重估礼乐的价值,对作为中国元艺术的"乐"进行了详尽地剖析,充实了世界艺术理论成果。
[Abstract]:Art has really become the object of theoretical research since modern times. After Baumjiatong introduced aesthetics into philosophy, Kant's investigation of aesthetics and Skopos theory opened the first stage of modern aesthetics. The consistency between Hegel's aesthetics and artistic philosophy and the view that art should replace nature as the basic goal of aesthetic reflection. It marks the maturity of modernism school. The emergence of postmodernism school and contemporary art has formed a great challenge to traditional art, however. The difference between contemporary art with strong commercial color and traditional art lies in the difference of "time and space", and the criticism of reality is still the commonness of both. Both Kant and Hegel acknowledge the unique position of art itself. But Le Ji revalues the value of ritual music with a new vision, and makes a detailed analysis of "music" as a Chinese Yuan art. Enriches the world art theory achievement.
【作者单位】： 山东大学威海校区;
【分类号】：J01
【正文快照】： 一、艺术的界定:“时间”与“空间”之维1.艺术界定的原本性研究关于艺术的定义,诸多学者都进行过研究,早期的学者更倾向于否定艺术界定的可能性,原因就在于艺术的外延趋于无限拓展而被看作是“开放的概念”,从而形成了一种“无理论”的理论。莫里斯.韦兹最早将“开放的概念，

本文编号：1473030