当代大众文化的美学阐释

发布时间：2018-02-11 15:17

本文关键词： 大众文化纯文学审美特征接受美学大众文化批评审美主义倾向　出处：《江西师范大学》2004年硕士论文　论文类型：学位论文

【摘要】：20世纪90年代是中国城市大众文化迅速扩张、全面登堂入室的时代。大众文化的勃兴，不仅为促进文化生产与消费开拓了广阔的空间，也明显丰富了文化生活，极大地激发了大众对时代文化强烈的参与愿望和体验热情，最直接地切入了最大众化的社会生活。然而，大众文化既属文化范畴，必有其文化特性，而不仅仅具有工业化、商业化特征。本文主要从美学角度对大众文化进行研究。首先，对这繁多复杂的大众文化概念作一个较全面的检视和梳理，并对其历史和特点作有关论述。大众文化是以大众传播媒介为手段、按商品市场规律去运作、旨在使大量普通市民获得感性愉悦的日常文化形态。其早在19、20世纪之交就已经萌发了，从80年代后期起、尤其是进入90年代以来，大众文化是作为主潮兴起和存在的。接着分析和论述了大众文化与纯文学之间存在天然纽带，乃至亲缘关系。大众文化与当前接受美学之间有着相互影响的关系，大众文化生产影响着大众文化的接受且同样影响着大众的接受美学理论。相反，大众文化的接受主体即消费者的思想行为也将影响着大众文化的生产。本论文还分析了当前大众文化批评的审美主义倾向。最后是对大众文化创造和研究的美学期待，是走向审美实践批评的大众文化。大众文化既是审美的，又是实践的。具有艺术性和文学性，不能用已有的理论把它凝固，要走出大众消费主义观点和阿多诺模式的误区，要用辩证的方法对待日益创新的、动态的和开放的大众文化，不断丰富大众文化。希冀本论文在实践上对大众文化的创作有一定的帮助和启示。
[Abstract]:In 1990s, Chinese urban mass culture expanded rapidly and entered the house in an all-round way. The flourishing of popular culture not only opened up broad space for promoting cultural production and consumption, but also obviously enriched cultural life. It has greatly inspired the popular desire to participate in the culture of the times and its enthusiasm for experience, and directly cut into the most popular social life. However, mass culture is a cultural category and must have its own cultural characteristics, not just industrialization, Commercial characteristics. This paper mainly studies the popular culture from the angle of aesthetics. First of all, it makes a comprehensive examination and combing of the various and complicated concept of popular culture. And related to its history and characteristics. Mass culture is to use the mass media as a means, according to the law of the commodity market to operate, The daily culture form, which aims to make a large number of ordinary citizens obtain sensual pleasure, has already germinated since the turn of the 20th century. Since the late 80s, especially since 90s, the popular culture has emerged and existed as the main trend. Then it analyzes and discusses that there are natural ties and even kinship between popular culture and pure literature. The production of mass culture affects the acceptance of popular culture as well as the theory of reception aesthetics of the public. On the contrary, the subject of acceptance of mass culture, that is, the ideological behavior of consumers, will also affect the production of mass culture. This thesis also analyzes the aesthetic tendency of popular cultural criticism. Finally, the aesthetic expectation for the creation and study of popular culture is the popular culture that moves towards aesthetic practical criticism. Mass culture is aesthetic and practical. It is artistic and literary, and cannot be solidified by existing theories. In order to get rid of the misunderstanding of mass consumerism and Adorno mode, we should treat the increasingly innovative, dynamic and open mass culture with dialectical method, and enrich it constantly. It is hoped that this paper will help and enlighten the creation of popular culture in practice.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：I01

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