文以穿道——论文学对观念现实的穿越

发布时间：2018-02-13 03:34

本文关键词： 穿越道张力中国经验现代性　出处：《社会科学战线》2010年11期 　论文类型：期刊论文

【摘要】："文以穿道"是否定主义文艺学应对现代性对生命力和创造力的重视从中国经典作品中提炼出来的具有中国文化整体性和通特性特点的"中国式当代文学观"。"穿道"作为"穿越观念现实"的简略表达,首先表现为对既定文化时代性观念进行个体化质疑后敞开独特的意蕴空间,其次表现为在作品表层的文化时代性意象后作家个体化理解世界的建立,从而使中国作品的独创性意蕴具有"在非独创性意蕴之后"的张力特征。成功穿越既定文化观念之道的作品,在深层意象上具有"非观念化世界"的性质,从而与作品表层文化意象和现实文化构成性质的区别。在文学功能上,"穿道"性作品引领读者消解既定观念但并不走向新的观念,因多半不具备文学的现实功能而只是"文学的启示";而"载道"性作品或以"载道"思维解读文学作品,常常会以"文学的启发"带领读者走向各种观念,所以多半会让文学扮演文化启蒙的工具。
[Abstract]:"Wen through Tao" is a "Chinese contemporary literary view" which is abstracted from Chinese classical works by negativism in response to modernity's emphasis on vitality and creativity. Tao, as a brief expression of "passing through the reality of ideas", First of all, the author has opened up the unique meaning space after the individualized questioning of the established cultural epochal concept, and the second performance is the establishment of the writer's individualized understanding of the world after the cultural epochal image in the surface layer of the work. Thus, the original meaning of Chinese works has the tension characteristic of "after the non-originality meaning". The works that successfully traverse the way of the established cultural ideas have the nature of "non-conceptual world" in the deep image. Therefore, it is different from the surface cultural image of the works and the nature of the composition of the realistic culture. In terms of literary function, the "piercing" works lead the reader to dispel the established ideas but not to the new ones. Because most of them do not have the realistic function of literature, they are only "enlightenment of literature"; and "Taoist" works or reading literary works with "Tao" thinking often lead readers to various ideas with "literary inspiration". So literature is likely to act as a tool for cultural enlightenment.
【作者单位】：浙江工商大学人文学院;
【分类号】：I02

【共引文献】