温克尔曼的艺术史学思想研究

发布时间：2018-02-25 03:17

本文关键词： 温克尔曼艺术史学思想研究　出处：《中央美术学院》2005年硕士论文　论文类型：学位论文

【摘要】：本文采用托马斯·库恩的范式论研究温克尔曼的艺术史学思想,基于对艺术史学科本体的思考而展开,侧重于对其艺术史体系内部各基本原则的探究。本文首先通过对温克尔曼的《古代艺术史》和瓦萨里的《名人传》的比较研究,指出两者在历史观和写作方法上的不同。继而通过对启蒙思想和法国古物研究的考察,指出温克尔曼的艺术史学在哲学思想和历史研究上的学术背景。第三部分集中论述温克尔曼的古代艺术史体系,考察了“体系”、“自由”和“美”的原则在其思想中的性质和构成,并讨论了这些原则对于确立艺术史学科的意义。本文认为,温克尔曼从经验的体系出发,通过对“自由”和“美”的问题的论述把世俗的“人”在历史中的创造性问题推到了一个明显的位置。温克尔曼把古代艺术看作是人类群体实践的结果,而不是艺术家完全个人的创造,试图从包括政治、文化、宗教、社会风俗等在内的更为广阔的人类领域中寻找艺术产生、发展和演变的物质和精神基础。这样,温克尔曼就在艺术史的人文主义思想传统中加入了启蒙思想的内核,从而使艺术史学科在思想上贴近了时代,成为欧洲人文主义精神传统中不可分割重要方面。通过这些讨论,本文认为,温克尔曼的艺术史思维模式是一个整体性的范式,这种范式不光是一种方法论的模式,也是一种认识论的模式,是发生在启蒙时代的认识论革命的一部分。这种范式不是真理,但指向真理,它作为一种成熟的艺术史研究模型必然会不断地受到重新解读和批判
[Abstract]:This paper uses Thomas Kuhn's Paradigm Theory to study Winkelmann's thought of art history, which is based on thinking about the subject of art history. This paper focuses on the exploration of the basic principles within its art history system. Firstly, this paper makes a comparative study of Winkelmann's History of Ancient Art and Vasari's biography of Celebrity. The author points out the differences between the two countries in the view of history and writing methods, and then through the investigation of the enlightenment thought and the study of French antiquities, It points out the academic background of Winkelmann's art history in philosophy and history research. The third part focuses on Winkman's ancient art history system. This paper examines the nature and composition of the principles of "system", "freedom" and "beauty", and discusses the significance of these principles in establishing the discipline of art history. By discussing the issues of "freedom" and "beauty", the creative problem of secular "man" in history has been pushed to an obvious place. Winkelmann regarded ancient art as the result of the practice of human groups. Rather than the artist's creation as an individual, trying to find the material and spiritual basis for the creation, development and evolution of art from the broader human sphere, including politics, culture, religion, social customs, etc., Winkelmann added the core of enlightenment thought to the tradition of humanism in the history of art, thus making the subject of art history close to the times ideologically and becoming an inseparable and important aspect of the spiritual tradition of European humanism. This paper holds that Winkelmann's thinking mode of art history is a holistic paradigm, which is not only a model of methodology, but also a mode of epistemology. It is part of the epistemological revolution that took place in the age of enlightenment. This paradigm is not truth, but points to truth. As a mature research model of art history, it is bound to be constantly reinterpreted and criticized
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J110.9

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