比较视野中的卢卡契与胡风文艺思想

发布时间：2018-02-26 13:11

本文关键词： 卢卡契胡风马克思主义文艺理论比较　出处：《扬州大学》2003年硕士论文　论文类型：学位论文

【摘要】： 卢卡契与胡风是两位中外马克思主义文艺理论史上的重要人物，由于二者的文艺思想具有切实的可比性，本文对二者的文艺思想进行了系统的对比观照。文章共分四个部分：第一部分：卢卡契与胡风的人道主义思想底蕴之比较。本文认为卢卡契的“异化”观与胡风的“精神奴役创伤”论在范畴本质和解决途径方面具有相似性，但二者的哲学源泉、所指的具体对象有相异之处。第二部分：卢卡契与胡风的主体性美学之比较。本文认为，卢卡契论审美反映的主观性与胡风的“主观战斗精神”都从关注作家主体意识的角度上形成了独具特色的主体性美学思想。但在胡风的“主观战斗精神”与卢卡契的“审美主观性”中，，主体介入程度以及情感性因素却是各有千秋。第三部分：卢卡契与胡风的现实主义文艺实践观之比较。在这一部分中，文章详细比较了二者关于艺术家创作与世界观的关系、文艺与社会的关系、“典型观”以及现实主义的标准这四个问题的观点，揭示二者的文艺理论在现实主义文艺理论领域同异并存的状况。第四部分：卢卡契与胡风文艺思想的比较对马克思主义文艺理论的意义。本文从体系建构、理论形态、文艺传播渠道三个角度看胡风与卢卡契文艺思想之比较，最后讨论二者的文艺思想对20世纪马克思主义文艺理论体系发展的影响。
[Abstract]:Lukacs and Hu Feng are two important figures in the history of Marxist theory of literature and art at home and abroad. Due to the practical comparability of their literary and artistic thoughts, this paper makes a systematic comparative study of their literary and artistic thoughts. The article is divided into four parts:. The first part: the comparison between Lukacs and Hu Feng's humanitarianism thoughts. This paper holds that Lukacs' view of alienation is similar to Hu Feng's theory of "mental servitude trauma", but the philosophical source of them is the essence of category and the ways to solve it. The specific objects referred to are different. The second part: the comparison between Lukacs and Hu Feng's subjectivity aesthetics. Both the subjectivity of Lukacs' aesthetic reflection and Hu Feng's "subjective fighting spirit" have formed a distinctive subjective aesthetic thought from the angle of paying attention to the writer's subjective consciousness. But in Hu Feng's "subjective fighting spirit" and Luka's "subjective fighting spirit" In Qi's "Aesthetic subjectivity", The degree of subject involvement and affective factors are different. The third part: the comparison between Lukacs and Hu Feng's realistic views on literary practice. In this part, the article compares the relationship between artists' creation and world outlook in detail. The relationship between literature and art and society, the "typical view" and the standard of realism point of view reveal the coexistence of their literary and artistic theories in the field of realistic literature and art theory. Part 4th: the comparison between Lukacs and Hu Feng's literary and artistic thoughts on Marxist literary theory. This paper looks at the comparison between #internal_person1# 's and Lukacs' literary and artistic thoughts from three angles: system construction, theoretical form, and the channel of literary communication. Finally, it discusses the influence of their literary and artistic thoughts on the development of Marxist literary theory system in 20th century.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2003
【分类号】：I0-03

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