教化之极高点:清末“美术”的兴起

发布时间：2018-03-04 12:26

  本文选题：清末　切入点：美术　出处：《文艺研究》2014年08期 　论文类型：期刊论文

【摘要】："美术"的引进与近代中国社会需求密切相关。处社会激变之际,有识之士感叹中国衰败而呼吁开民智、新民德。"美术"被认为是进德教民、改良社会的重要手段而得到提倡。此种以"美术"为手段的做法,客观上推动了学科的发展:"美术"相关知识得到进一步输入,在"美术"的框架下旧学得到初步整理,"美术"学堂也得以陆续出现。本文以大量史料为基础,从社会整体变动考察"美术",力图呈现其在清末历史中的实际进程,以探讨美术学科的发展动力。
[Abstract]:The introduction of "Fine Arts" is closely related to the social needs of modern China. At a time of social upheaval, people of insight lamented the decline of China and called for the opening of the people's wisdom. The practice of "fine art" as a means has objectively promoted the development of the subject: the knowledge of "fine art" has been further imported, Under the framework of "fine art", the old study was preliminarily arranged, and the "fine art" school appeared one after another. Based on a large number of historical data, this paper examines "fine art" from the overall changes of society, and tries to present its actual process in the history of the late Qing Dynasty. In order to explore the development of the subject of fine arts motive force.
【作者单位】： 韩山师范学院潮学研究院;
【基金】：韩山师范学院博士科研启动项目“近代‘美术教育’之兴起及对岭东美术界的影响”(QD20110329) 广东省社科基金“概念与学科:‘美术’在近代中国的进程”(GD11XLS02)阶段性成果
【分类号】：J120.9
，

本文编号：1565647