肤觉经验与审美意识

发布时间：2018-03-09 23:16

本文选题：触觉　切入点：躯体　出处：《山东师范大学》2005年博士论文　论文类型：学位论文

【摘要】：身体是当代哲学、社会学、美学、艺术研究的“新大陆”。与躯体密切相关的问题之一是肤觉、躯体觉以及肤觉-躯体经验。肤觉躯体觉既是一个古老的话题,同时由于神的消失,躯体的当代生命存在的意义也就备受关注,肤觉躯体觉以及肤觉-躯体经验的现实意蕴、特别是审美意蕴也就凸现出来。本论文试图从肤觉-躯体经验的角度,在肤觉躯体经验——视觉——意识的关系链中探讨审美意识、特别是当代审美意识的深层内涵。肤觉经验包括了两方面的内涵,一方面是直接的皮肤感知,另一方面是由于肤视先天联系和视觉化而渗透进了视觉和思维中的肤觉-躯体经验。这样,我们的研究对象就是具有“总觉”之称的肤觉-躯体觉以及存在于视觉和思维中的肤觉-躯体的知觉经验,主要从肤觉躯体经验和视觉经验的结合点上探讨和美、和艺术的联系。首先是肤觉躯体经验的审美创造性。肤觉躯体经验在诸种知觉经验中出现得最早,最为古老,是人类创造的原点之一。人类依据这一的古老的肤觉躯体经验进行直接的和间接的创造。直接创造体现在与人类肤觉躯体经验直接相关的方面,特别是人类双手的创造,即工具、服饰、建筑等。直接肤觉创造中包含着一定的人类情感因素。肤觉躯体觉的间接创造指的是非接触的情况下人类对对象的感受、判断和营造。肤觉躯体的间接创造主要体现在肤觉比喻、肤觉空间和肤觉形式方面。人类借助肤觉的视觉化和肤视先天联系将肤觉经验扩展出去,这一扩展方式就是肤觉比喻。所谓肤觉比喻,指的是在肤觉经验的实践性的基础上,借助于肤视先天联系和视觉化,通过类比的方式,将人的肤觉经验外射到未触及的对象之上,或是主体在外在事物之上唤起类似于肤觉的类比性感受活动。肤觉比喻具有很强的审美情感色彩。肤觉比喻背后的哲学支撑是胡塞尔的意向性。借助于意向性和肤觉比喻的扩展,人类把现实自我投射出去,并充盈于一定的空间中形成人的空间大我,即肤觉空间大人。空间大人与其它动物的不同之处在于反思,空间大人是人类自身反思的结果。空间大人以自身的肤觉躯体的感受经验,意向性地推测外在自然物,空间大人对具体的个别的自然物的推想就
[Abstract]:The body is the "new world" of contemporary philosophy, sociology, aesthetics and art. One of the issues closely related to the body is skin, body, and skin-body experience, which is an ancient topic. At the same time, because of the disappearance of God, the significance of the contemporary life of the body has been paid close attention to. This paper attempts to explore the deep connotation of aesthetic consciousness, especially the contemporary aesthetic consciousness, in the relationship chain of skin sense body experience and visual consciousness from the perspective of skin sense and body experience. Skin sense experience includes two aspects: one is direct skin perception, the other is skin sensor- body experience that permeates vision and thinking because of the innate connection and visualization of skin vision. Our object of study is the skin sensor- somatosensory which is called "total sense" and the skin-body perceptual experience that exists in vision and thinking. We mainly discuss the beauty of skin-sense body experience and visual experience from the point of combination of skin-sense body experience and visual experience. The connection with art. The first is the aesthetic creativity of skin somatic experience, which is the earliest and most ancient of all kinds of perceptual experiences. It is one of the origins of human creation. Human beings make direct and indirect creation based on this ancient skin sense body experience. Direct creation is embodied in aspects directly related to human skin sense body experience, especially in the creation of human hands. That is, tools, clothing, architecture, etc. The direct skin sensation creation contains certain human emotional factors. The indirect creation of skin sense body sense refers to the human feeling to the object in the case of non-contact. Judgment and construction. The indirect creation of the skin sense body is mainly reflected in the skin sense metaphor, the skin sense space and the skin sense form. This expansion is called skin metaphor. The so-called skin metaphor is based on the practical nature of skin sense experience, with the help of the innate connection and visualization of skin vision, by analogy. By projecting human skin experience onto untouched objects, Or the subject evokes the analogous feeling activity similar to the skin sensation on the external thing. The skin sense metaphor has the very strong esthetic emotion color. The philosophy support behind the skin sense metaphor is Husserl's intentionality. The expansion of skin metaphor, Human beings project the real self out and fill a certain space to form the human spatial self, that is, the adult of skin space. The difference between the adults of space and other animals is reflection. The adults of space are the result of human reflection. The adults of space infer the external natural objects intensively with the experience of their own skin sensations, and the spatial adults' extrapolation of specific individual natural objects
【学位授予单位】：山东师范大学
【学位级别】：博士
【学位授予年份】：2005
【分类号】：I01

【引证文献】