中国艳俗艺术研究

发布时间：2018-03-18 09:09

本文选题：艳俗艺术　切入点：大众文化　出处：《西南师范大学》2002年硕士论文　论文类型：学位论文

【摘要】： 本论文是以20世纪90年代中期以后，由国当代艺术盛行的一种新的艺术潮流——艳俗艺术为研究对象，探寻这一特定艺术现象产生的根源及其发展状况，并对其形成的社会、经济、文化因素以及本质特征进行探索性的研究。以填补当代美术史中对艳俗艺术现象研究的空白。艳俗艺术这种说法，最初见于艺术评论家栗宪庭对1996年4月在北京举办的两个艺术展——《艳装生活》、《大众样板》的作品特点的总结。其后经过一段时期的酝酿，1999年5月一批艺术家又相继在天津泰达艺术博物馆和北京中山公园举行了两场名为《跨世纪彩虹——艳俗艺术展》和《酚苯乙烯》的艺术展，，正式以艳俗艺术为名，向艺术界显示了这类艺术的集团性的强劲力道。从此，艳俗艺术也开始变得为社会所关注，成为90年代中国一种具有鲜明特色的艺术创作形式。廖雯在“跨世纪彩虹——艳俗艺术展”的前言中把“满眼乱七八糟的艳俗，急功近利的暴发，满地打滚的廉价，没有根基的浮华”，归结为“艳俗”，并称艳俗艺术“真似一出喜剧：热闹、喜庆、幽默、且始终以类似喜剧的批判姿态——反讽，揭示着我们生活中人们习以为常的荒诞的一面”。谷子在《中国艳俗艺术背景浅析》一文中大至是这样阐释的：“艳俗艺术反映的是90年代以来中国文化的基本特征，运用夸张、平涂、光亮的广告手法，以一种‘暴发式’的农民喜庆趣味为基调，站在精英文化的立场对当下泛滥的‘艳俗文化’进行反讽和批判”。艳俗艺术应当归结为中国的现代化建设向纵深推进的产物，艳俗艺术是对中国90年代以来随着市场经济的出现而出现的社会的都市化，生活的世俗化，文化的大众化等趋向作出了较为彻底、纯粹而又暖昧复杂的反应。它用它独特的语言，表明着艺术家在纷繁复杂的现实世界中自身的态度。艳俗艺术在社会上引发了许多争论。赞扬者把它称为“当代艺术中一个十分耀目的艺术现象”。反对者把它斥责为制作粗陋，无病呻吟，穿着时髦的文化外衣，是“商业和肤浅文化的产物”卜I。但无论怎样，“不管你喜欢也好，反对也罢，它都在迅速地扩张，占领着一切”p‘，艳俗艺术不可避免地成为了中国当代美术史中不可缺少一部分，对构建完整的当代艺术体系具有重要的作用。因此，对艳俗艺术的研究也变得十分必要，它终将有助于我们了解中国90 年代的的艺术发展状况，为当代中国的艺术发展提供可资惜鉴的宝贵经验。
[Abstract]:This paper is in the middle of the 1990s, is a new trend of art in Chinese contemporary art popular gaudy art as the research object, to explore the origin and development condition of this specific art phenomena, and the formation of social, economic, and cultural factors were explored and to fill the contemporary essential feature. In the history of art of gaudy art on the blank.
Gaudy art of this statement, first seen in the art critic Li Xianting of the two art exhibition held in Beijing in April 1996 -- > < < UIP life, works and summarizing the characteristics of public model >. Later after a period of deliberation, in May 1999 a group of artists who have been in Tianjin for the Thai Art Museum and the Zhongshan Park in Beijing held two names "cross century rainbow gaudy art exhibition > and < > styrene phenol with gaudy art exhibition, formal name of art, displayed the strength of this kind of art to the art world. Since then, gaudy art began to become the concern of the society and become a distinctive China 90s the form of art creation.
Liao Wen in the "cross century rainbow gaudy Art Exhibition" in the preface to "out of order of the eyeful gaudy, quick in the floor of cheap, there is no foundation for vanity", attributed to the "vulgar", and said "gaudy art really like a comedy: lively, happy, humorous, and always in a similar comedy critical attitude of irony, reveals the absurd side" in our life. People are accustomed to the millet in China < gaudy art background of a paper to > explained: "gaudy art reflects the basic characteristics of Chinese culture since 90s the use of exaggeration, Ping Tu, advertising light, with a kind of" explosive "farmers interest to the festive tone, standing in the position of the current elite culture spread" kitsch culture "irony and criticism". Gaudy art should be attributed to the China modernization To push the product, gaudy art is Chinese since 90s with the advent of urbanization on the market economy and the emergence of social life, secular, popular trend in culture to make a more thorough, pure and ambiguous complex reaction. It uses its unique language, that the artist in the complex in the real world of their own attitude.
Colourful art has sparked a lot of controversy in society. The praises call it "a ten of contemporary art."
Dazzling art phenomenon ". Divided opposition condemns it to the production of crude, making a fuss, wearing fashionable culture
The coat is "the product of business and shallow culture", but no matter what, "whether you like it or not," I.
All of it, it is expanding rapidly and occupying all "P". The art of colourful art inevitably becomes China
An indispensable part of the history of contemporary art plays an important role in the construction of a complete system of contemporary art.
Therefore, the study of gaudy art is also very necessary. It will eventually help us to understand China 90.
The development of art in the years provides valuable experience for the development of contemporary Chinese art.

【学位授予单位】：西南师范大学
【学位级别】：硕士
【学位授予年份】：2002
【分类号】：J120.2

【引证文献】