后现代艺术荒诞情结的双面性

发布时间：2018-04-10 17:46

  本文选题：后现代艺术 + 荒诞情结　； 参考：《南通大学学报(社会科学版)》2014年03期

【摘要】：后现代艺术最典型的特征是其荒诞情结的双面性。一方面,后现代艺术高扬感性主体,崇尚自我意识,它所代表的是反理性反科学的艺术原则;另一方面,后现代艺术在实践中又从未摆脱科学的理性精神。后现代艺术试图推倒一切艺术的审美原则,但事实上它们在否定一切传统美学基础上,又重新建构起自己的荒诞美学范畴。对于后现代艺术的荒诞情结的双面性,我们既要看到它表面上的非理性、滑稽与荒谬等诡异表象,又要看到它深层次的理性的、严肃的思考。
[Abstract]:The most typical feature of post-modern art is its absurdity.On the one hand, postmodern art exalts perceptual subject and advocates self-consciousness, which represents the anti-rational and anti-scientific artistic principle; on the other hand, postmodern art never gets rid of the scientific rational spirit in practice.Post-modern art tries to push down the aesthetic principles of all art, but in fact they reconstruct their absurd aesthetic category on the basis of negating all traditional aesthetics.With regard to the absurdity of postmodern art, we should not only see its appearance of irrationality, antics and absurdity, but also its deep rational and serious thinking.
【作者单位】： 盐城师范学院美术学院;
【基金】：江苏省高校哲学社会科学研究基金项目(2012SJD760034)
【分类号】：J110.99
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本文编号：1732275