西方学界的东方转向及其应对:跨文化比较诗学评议

发布时间：2018-04-23 10:03

本文选题：西方学界 + 东方转向　；参考：《清华大学学报(哲学社会科学版)》2011年06期

【摘要】：第二次世界大战后,西方殖民主义衰退,文明重心逐渐东移。以跨文化研究为本质特征的比较诗学在20世纪中期以后的兴起和发展,是西方学界的"东方转向"的产物,这意味着文学研究的某种重大转折或某种新的学术范式的确立。东方仅仅是包含了中国而不能等同于中国,在当今的世界文化格局中,中国作为东方多元文化中的一元,所占据的地位和影响还是比较有限的。国内的比较诗学研究基本围绕中西诗学,带有较为浓厚的"西方中心论"色彩,我们还需要向非西方和后发展国家等多方面地拓展我们的比较诗学研究。在跨文化比较诗学研究中自觉推动中国诗学,主动积极融入世界主义诗学话语建构的历史进程,赋予其新的内容与形式,这对于未来中国诗学的学术创新具有重要意义。
[Abstract]:After the second World War, Western colonialism declined and the center of civilization gradually moved eastward. The rise and development of comparative poetics, characterized by cross-cultural studies after the middle of the 20th century, is the product of the "oriental turn" in western academic circles, which means a major turning point in literary studies or the establishment of a new academic paradigm. The East only contains China and cannot be equated with China. In today's world cultural pattern, China, as a monolithic element of oriental multiculturalism, occupies a relatively limited position and influence. The study of comparative poetics in China basically revolves around Chinese and Western poetics and has a strong "western-centered" color. We also need to expand our comparative poetics to non-western and post-developing countries. In the study of cross-cultural comparative poetics, it is of great significance to promote Chinese poetics, actively integrate into the historical process of cosmopolitan poetic discourse construction, and endow it with new contents and forms, which is of great significance to the academic innovation of Chinese poetics in the future.
【作者单位】：三峡大学文学与新闻学院;西南大学文学院;
【基金】：教育部新世纪优秀人才支持计划“中国文论西方化问题研究”(NCET-07-0709) 国家社会科学基金项目“中国美学西化问题研究”(09BZW006)
【分类号】：I0-03;I106.2

【共引文献】